Lincoln, who's not yet 18, leads a straight life most of the time: he has a girl friend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to dark places ... See full summary »
The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and ... See full summary »
Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan who has joined up on the side that appeals most to idealists of that era -- like Ernest Hemingway and his friends -- has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a bridge in a cave. Pilar, who is in charge there, has an ability to foretell the future. And so that night she encourages Maria, a young girl ravaged by enemy soldiers, to join Jordan who has decided to spend the night under the stars.Written by
Dale O'Connor <email@example.com>
One of over 700 Paramount productions, filmed between 1929-49, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. It received its television premiere in San Francisco Monday 5 January 1959 on KPIX (Channel 5), launching the MCA/Paramount Library on that channel. It was broadcast in color, a rarity at that time, particularly for a CBS affiliated station, when color television was still in its infancy and vintage feature films rarely were granted that courtesy and expenditure. After this initial telecast, and its next one in Omaha 3 March 1959 on KETV (Channel 7), the film was withdrawn from television in deference to the forthcoming CBS Playhouse 90 production, highly publicized as the most ambitious television dramatic presentation of the season, to be broadcast in two parts, Thursday 12 March 1959 and Thursday 19 March 1959. The film's eventual widespread local television broadcasts resumed in Milwaukee 11 April 1959 on WITI (Channel 6), in Minneapolis 7 August 1959 on WTCN (Channel 11), in Johnstown 8 November 1959 on WJAC (Channel 6), in Toledo, in two parts, Monday-Tuesday 9-10 November 1959 on WTOL (Channel 11), in Grand Rapids 12 November 1959 on WOOD (Channel 8), in Asheville 15 November 1959 on WLOS (Channel 13), in Detroit 26 November 1959 on WJBK (Channel 2), in St. Louis 12 December 1959 on KMOX (Channel 4), in Philadelphia 25 June 1960 on WCAU (Channel 10), in Los Angeles 12 November 1960 on KNXT (Channel 2), in Chicago 17 February 1961 on WBBM (Channel 2), and, finally, in New York City 19 May 1961 on WCBS (Channel 2). Since color broadcasting was still in its infancy and limited to only a small number of high rated, mostly live programs, primarily on NBC and NBC affiliated stations, except for its initial telecast in San Francisco, all these film showings were all in B&W. Television viewers were not offered the opportunity to see vintage feature films in their original Technicolor until several years later. The DVD was first released by Universal 1 June 1999 and was re-released 19 May 2015. Cable TV viewers now also have the opportunity to watch it occasionally on Turner Classic Movies. See more »
As one of the Loyalists is firing the Lewis gun on the mountain, you can see the bolt moving, but no shells ejecting. See more »
If you don't love me, I'll love you enough for both of us.
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Opening credits prologue: any mans death diminishes me, because I am involved in Mankinde: and therefore never send to know For Whom The Bell Tolls It tolls for thee.
Based in Ernest Hemingway's world famous bestseller, this film is one of those classical melodramas, even though not in a Douglas Sirk style and maybe of quite another matter. In the book, Hemingway worked up his own experiences in the Spanish Civil War of the 30s - the film was shot in the middle of World War II - and that is why certain things are plain "clear". Of course, the whole plot of the film takes place solely within the lines of the Republican forces. Of course, it takes an unequivocal stand against Franco's fascism and its followers. Of course, the male lead, an expert for explosives, is a sincere American who stands on the right side. But without any cynicism, For Whom the Bell Tolls is in an utterly positive sense straight, straightforward, "clear", or however you want to word it.
Sam Wood shaped the story through three strands: the love between María (Ingrid Bergman) and Robert (Gary Cooper), the preparations of a detonation and the conflict in the group with Pablo (Akim Tamiroff). Here, Wood presents a set of excellent characters. Pablo, brilliantly played by Tamiroff, as the most enigmatic of the ensemble, does not only bring trouble into the group, but also impersonates a man who is torn between friendship/solidarity and personal interest. Robert is a sober, prudential, reflecting man who knows what he wants, but sees danger in his love for María. He is not an ignorant macho, but someone who carefully listens, evaluates and then decides. And then there is Pilar, played by Katina Paxinou, this rough, angular, active woman with heart, a heart which is not only on the right place, but also has a deep feeling for what is going wrong in her country and what danger is coming up for her and her people if Franco might win the war. It seems as if Wood adapted a real and important protagonist of the Civil War with the character of Pilar: the Communist leader Dolores Ibarruri aka "La Pasionaria".
With this variety of human patterns, Wood gives us a cross-section through a small, "spatially limited" civil society where the story line can be interpreted in context to the events in 1943 in Europe. Hitler and his allies are at the high peak of their conquest- and extermination campaigns. In this respect, the film asks the question, how democracy is going to work after the terror is defeated, taking also those into account who are erratic and cowardly like Pablo. And it asks the question for consideration between betrayal and solidarity, love and necessity.
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