One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of...
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On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
During the 1940s, social class conflict is depicted when a spoiled socialite, traveling on a freighter, calls the ship's head stoker a hairy ape, provoking him into stalking the rich woman once ashore in New York.
For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold... See full summary »
Edward H. Griffith
One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On reissue all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as "Change of Heart" in 1949, and not known under that title until 1949. Not reissuing the film under the original title of "Hit Parade of 1943" had a two-fold purpose; the audiences of that era were not much interested in seeing a film twice, and a changed title-even when the original title was clearly shown in (very) small print in the ads and on the posters---had a chance of being seen again by that segment of the ticket-buying public who didn't read the small print. The plot here is just a trifle---Susan Hayward ghost writes songs for composer John Carroll, whose charms evidently outweighed his song-writing ability---...Written by
Les Adams <firstname.lastname@example.org>
This "Hit Parade" movie made a huge impression on me when i saw it on television back in the 1980s under the title "Change of Heart." Two things about it gave me reason to search it out for a repeat playing -- the wonderful art deco sets in the second half of the film and the spectacularly eccentric dancing of the team of Pops and Louie. It is well worth looking for, and i am glad i finally located it again, but i sure had to look for a long time, as there is another film with the title "Change of Heart" that -- until the advent of the IMDb -- folks always seemed to get confused with this one. Susan Hayward and John Carroll are quite good, the music is fine, but, really, for me this movie is all about Pops and Louie and that wild Art Deco set decoration.
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