After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
In suburban Lochester, New England, three people end up living together in high school teacher Nora Shelley's rental house. The first is her new tenant, renowned Harvard law professor Michael Lightcap, who has rented the house for the summer while he writes his new book. The second is Nora herself. Despite having an auspicious first meeting, Lightcap hires Nora to be his live-in cook and secretary for a week until his manservant Tilney arrives. The third is Joseph, the property's gardener, who is currently laid up with a sprained ankle. In reality, Joseph is Nora's childhood friend Leopold Dilg, who has just escaped from prison. Leopold was being tried for the arson of the factory where he worked, and for murder for the death of the factory foreman Clyde Bracken, whose body was never recovered but who is assumed to have died in the fire. Despite the danger to herself, Nora hides Leopold since she believes his story that although he, as an activist, did speak out about the dangerous ...Written by
An uneven story salvaged by three resourceful actors
Social commentary either elevates the value of a film or bogs it down, and with comedies it is generally the latter. "The Talk of the Town" is no exception; while it is a fun film that has much to admire, the pretensions of the film-makers often get in the way of what could have been a masterpiece of comic suspense. The tone becomes almost unbearably preachy at times, and some of the monologues on `justice' and the `pursuit of truth' are excruciating on the ears. Thankfully, the good people at Columbia hired just the right people to star.
The specific political stances of Leopold Dilg are never made clear; we're just supposed to accept the idea that he's a good guy who is put down by a corrupt system. Fortunately, Cary Grant uses his remarkable charm and talent to turn in a performance that allows us to sympathize with a character whose background is far too vague. Likewise, Jean Arthur and Ronald Colman are able to invest interest in characters that might otherwise have come off two-dimensionally. The charisma of the three leads fuels a love triangle that does a far better job of moving the story forward than any "serious message" that the film-makers were trying to impart to the audience. Grant, Arthur, and Colman are rightfully remembered as three of cinema's finest actors, but they deserve special credit for adding some much-needed pizzazz to this movie.
All in all, "The Talk of the Town" is a rambling, misguided movie saved by smart casting and disciplined acting, not to mention more than a few laughs. It is a classic example of skilled performers triumphing over flawed material.
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