At the turn of the century, Duke and Chester, two vaudeville performers, go to Alaska to make their fortune. On the ship to Skagway, they find a map to a secret gold mine, which had been ... See full summary »
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The opening scene of the movie describes it best: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales."
Jeff and Turkey, two wild and crazy guys adrift on a raft in the Mediterranean, are cast away on a desert shore and hop a convenient camel to an Arabian Nights city where Turkey soon finds himself sold as a slave...to luscious Princess Shalmar of Karameesh. Naturally, Jeff would like to rescue Turkey from this "dire" fate, even if it means taking his place! But they haven't figured on virile desert chieftain Mullay Kassim, who has designs on the princess himself...Written by
Rod Crawford <email@example.com>
Bob Hope and Bing Crosby kidded heavyset director David Butler relentlessly about his weight. For a scene in which enemy horses chased them through the streets, Butler advised them not to jump out of the street until he gave them the signal, allowing them plenty of time to get out of the way. However, as they ran the horses kept getting closer and closer with no signal to the pair from Butler. Finally, the stars panicked and jumped. When they complained about their bruises, Butler laughed at them and told them they'd ruined the shot by jumping too soon. Some crew members thought he was getting back at them, and Hope nicknamed him "The Murderer." See more »
When Jeff agrees to marry Princess Shalmar, Orville tells Jeff that he will have the happiest week of his life. Although Orville has discovered that marrying her is certain to result in death, he has not been told the specific expected lifespan. See more »
First chance we get, we better dash for the nearest exit.
Yeah, but how about that guy's knife? We're gonna look silly stumbling outta here on a set of stumps.
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Typical Hope and Crosby nonsense. More of a "big budget home movie" than anything else, but funny and enjoyable anyhow.
By the Time "Morocco" was created, the Road Pictures had been embraced and enjoyed and the formula was set in stone: An exotic locale, Dorothy Lamour, a couple of songs and go easy on the script because Bob and Bing are gonna "jab-lib" their way through it regardless. The result here is a slick and entertaining yarn about absolutely nothing. Don't let the current climate of "Islam/Arab/Terrorism" mindset disturb you about the on screen antics because this was filmed in a different era and has nothing to do with the goings on in our world today.
Bing gets a chance to croon the very lovely Moonlight Becomes You, which to this day is still one of the most touching love songs ever written; Bob gets to do his "screen persona schtick" and it is hilarious; Dorothy has a forgettable song and a funny reprise of Moonlight Becomes You, sung in the desert accompanied by the boys and it is extremely funny. Anthony Quinn (who was a Road Picture Regular) returns in a typical villain role in which he does his best.
A couple of notes. Early in the picture Bob and Bing get involved with a camel who licks them. At the end of this routine as they prepare to ride away on the beast it spits at Bob. This was NOT in the script. The camel ad-libbed and the reactions of both Hope and Crosby are genuine. The director liked the take so much he used it in the final cut. Secondly, it took forever for the boys to sing the theme song, The Road to Morocco. It seems that every time they got to the lyric " . . . like Webster's Dictionary we're Morocco bound. . . " they'd break up over that lyric and would have to re-shoot the song.
It's a breezy, light-weight, fun evening with Der Bingle and Old Slope Nose. Make yourself a bowl of popcorn, grab a large soda and laugh away for 82 minutes. It'll do you good!
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