After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose.Written by
Closing credits: The characters and incidents portrayed and the names used herein are fictional and any similarity to the name, character or history of any person is entirely accidental and unintentional. See more »
The record shown playing is a bat wing Victor that was produced prior to 1925, making it historically incorrect. See more »
I wasn't much of a Cary Grant fan until I saw this film for the first time about 10 years ago, and I also discovered the embodiment of grace and charm that is Irene Dunne as well. Cary Grant is at his most charming and gives a very amusing and, at times, very very touching performance as a new dad. When he gives his heart-rending speech to the child custody judge and begs to keep his adopted baby girl, it brings a lump to my throat every time I see it. Irene Dunne was a classy lady in anything she did, and can be as quietly funny as she can be dramatic, as she demonstrated in this film. She was a great "straight-man," too, to Cary Grant's more animated role. I truly love this film.
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