Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.Written by
Ray Bolger, Bert Lahr and Jack Haley had to eat their meals in their dressing rooms, as the make-up they wore frightened the other diners in the MGM cafeteria. Bolger commented in an interview on the reactions that other MGM actors had upon seeing these "weird-looking characters" in the cafeteria. See more »
Glinda tells Dorothy she will have to go to the Emerald city and then she asks whether she has brought her broomstick with her. When Dorothy says no, Glinda tells her that she will have to walk to the Emerald city. Glinda still believes Dorothy to be a witch yet she herself does not have a broomstick & departs in a ball of light. If Glinda doesn't need a broomstick to fly, then how does she know that Dorothy does not have any other means of flying either? See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
See more »
Clara Blandick, who plays Aunt Em, Pat Walshe, who plays Nikko, and Toto are not listed at all in the opening credits, only in the closing ones. See more »
For the 1998 re-release, Warner Bros. handled the distribution of the film for Turner Entertainment Co. As a result, the re-release prints started with Warner's 75th Anniversary logo. The prints also ended with a short set of restoration and sound remixing credits. See more »
People talk about The Wizard of Oz as a backdrop to their lives; and how true that is. I just saw it again, DVD, for the first time in--gosh!--20 years. There was a little art house in Lansing Michigan USA that ran it back then, on the popular premise that there's nothing like TWoO on "the big screen." That's the last time I'd seen it, 'til today.
I guess the part that "gets" me about the movie is how the writers made it pretty plain that the Scarecrow, Tin Man, and Cowardly Lion really already had what they thought they were missing; that their respective problems were in misapprehending their own complete natures. That's a powerful statement for many of us. I found myself most touched in scenes where the Scarecrow was showing wisdom, the Tin Man feeling deeply ("...when I think of Dorothy in that awful place..."), and the Lion...well, maybe accomplishing this effect was harder in his case...what *is* true courage?
Anyway, if you're reading this here, you must be a movie weenie, and you've no doubt already seen the movie, so I'm not going to recite the usual "go see this movie" mantra.
I was just very touching to see this movie again, at this phase in my life.
I will mention a few more things about how I now see this movie as a "growed up" (I'm almost 50): It's interesting how you can see the production values of the time; the lot sets and special effects and so forth. This movie is a powerful example of how a good story overcomes limited means in other areas.
People who look back with disdain on the low-tech chintz of old movies can see in TWoO the magic ingredient; narrative solidity. And I'm not a pollyanna about this: I'm sure the underlying reality behind its making is rife with horror stories of expert disagreement, rewrites, discarding, jerryrigging, and the rest of it. But in the end, something like narrative love won out; and that's the important thing.
Oh: And having Harold Arlen write the music was good luck indeed. And orchestrations which cleverly appropriated very tasty new ideas in composition (polymodalism, non-standard phrasings, etc.) didn't hurt, either!
Geez, this movie is such a little universe....I'd better stop here.
151 of 192 people found this review helpful.
Was this review helpful to you?
| Report this