Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
In this charming film based on the popular L. Frank Baum stories, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she meets some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.Written by
Margaret Hamilton, a single mother, got into an argument with the studio over guaranteed time to work, only agreeing to take the role of the Wicked Witch three days before filming. Ironically, although she finally got an agreement for five weeks of work, she ended up working on the film for three months. See more »
When Dorothy first arrives in Munchkin Land, the studio lights are reflected on some of very fake-looking flower leaves. See more »
She isn't coming yet, Toto. Did she hurt you? She tried to, didn't she? Come on. We'll go tell Uncle Henry and Auntie Em.
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The credits say "Photographed in Technicolor", not "Color Sequences by Technicolor", thus making it seem as if the entire film were made in color. It is not known if this was deliberately done to enhance the surprise when the picture turns into full three-strip Technicolor, but it is quite possible. Posters at the time also advertised the film as being in Technicolor, but made no mention of sepia tint or black-and-white. The advertisement for the film's first telecast, however, did say "in color and black-and-white" (the Kansas sequences were shown on TV in black-and-white, not sepia, until the 1990 telecast, when they were restored). See more »
The original 1939 prints incorporated a "stencil printing" process when Dorothy runs to open the farmhouse door before switching to Technicolor; each frame was hand tinted in order to keep the inside of the door in sepia tone. The 2000 Warner dvd release uses this technique. See more »
Judy Garland's portrayal of Dorothy, Dorothy's oddball Oz friends, "Somewhere Over the Rainbow", and the rest of this fine production of "The Wizard of Oz" have lost little of their magic over the years. While it has become oddly fashionable in recent years to deride this kind of classic, innocent fantasy, the movie itself has aged very well, and it is likely to retain an appreciative audience for some time to come.
There's no doubt that part of the appeal of the story and the characters comes from them being such old friends to so many cinema fans, but there are also good reasons why they have endured for so long, and have been able to hold up even after becoming so familiar. Although Dorothy is not a particularly complex character, she represents an innocent but deep yearning that is easy to identify with. Likewise, the 'Oz' characters are bizarre enough to remain interesting, but there is a core of substance that again is easy to believe in. Who does not feel that he or she could use at least one of the things that Dorothy's friends want?
The adaptation from the original story is done quite well, making fine choices for the characters and episodes that would work on film. The settings and visual effects may not impress the devotees of today's computer imagery, but in their time they certainly demonstrated a great deal of skill and planning, and even now, in their own way they are more believable than are most of the computer tricks that have become so overused.
The popular story has also been used for a number of more recent adaptations, and some of them have had some good points of their own. But this Wizard remains by far the most wonderful of the versions of the classic tale.
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