Lally is a rich girl whose father writes books and plays Polo. After 23 years of marriage, he decides to divorce his wife, and marry Mrs. Chevers. This sours Lally on all men, while on ... See full summary »
Andrew Manson (Robert Donat), a young, enthusiastic doctor takes his first job in a Welsh mining town, and begins to wonder at the persistent cough many of the miners have. When his ... See full summary »
This is a story about family relationships, set in the time before and during the American Civil War. Ethan Wilkins is a poor and honest man who ministers to the human soul, while his son ... See full summary »
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity.Written by
Mae Busch and Dorothy Christy, who play the wives of Laurel and Hardy in Sons of the Desert (1933) both have small roles in this film. See more »
The stately minuet heard at the lavish ball sequence hosted by the Duc D'Orleans at Versailles, is from Mozart's opera Don Giovanni, which was composed in 1787. A few moments after the Minuet ends, King Louis XV arrives. He died in 1774 and therefore, this music could not possibly have been played at such an event as it had yet to be written. See more »
What can Mama want at this time of night? I was nearly asleep. Is it something I've done, do you think? What did she say? Did she look cross?
Mme. 'Feldy' de Lerchenfeld:
Solemn, I thought.
Oh, dear, what can it be? What have I done? She can't say much to me anyway. I'm a grown woman.
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"Unrestored" film has now been restored and is available on DVD. When the film played the Carthay Circle in Los Angeles and the Astor Theatre in New York as a reserved seat "road show" attraction, the print ran eleven minutes longer than the generally available 149 minute Turner Library print. These eleven minutes contained an overture, entr'acte, and exit music, with an intermission immediately following Antoinette's emotional farewell to Fersen on the steps of Versailles. These remnants of the "road show" presentation have now been restored to the new Warner Bros. Home Video DVD, which runs a little over 157 minutes. See more »
Written by Claude Joseph Rouget de Lisle
Played over the opening credits
Reprised as background music at the start of the French Revolution
Played again at the end See more »
Often said, and, for better or for worse, just as often true: "Marie Antoinette" is one of THE definitive examples of an MGM prestige picture, 1930s style. Years in planning and preproduction, "Marie Antoinette" was Norma Shearer's first film after Irving Thalberg's death: little expense was spared in making the "First Lady of MGM"'s return to the screen a royal one in every sense.
Technically superb, the film suffers from erratic pacing and a patchwork script. But the supporting cast alone almost compensates for these deficiencies: Robert Morley side-stepping caricature to make Louis XVI touchingly human; John Barrymore and Gladys George contributing brilliant, razor-sharp vignettes as Louis XV and Madame du Barry (indeed, the confrontation between Marie Antoinette and du Barry is one of the film's highlights); and Joseph Schildkraut redefining the term "oily" as the scheming Duke of Orleans. Only Tyrone Power (borrowed from 20th Century-Fox) comes off less well; this, perhaps is due more to an ill-conceived role in the script than to a lack of acting ability as such.
But it is, first and foremost, Shearer's film and she is superb. From the young, light-hearted Austrian Archduchess to the fun-loving, lightheaded Queen to the prematurely aged but proud and defiant widow on her way to the guillotine, Shearer is in full command, giving a splendid display of her artistry (including, in the prison scenes, an outstanding example of silent film technique): it is her finest mature dramatic performance.
Carps, quibbles, and differences of opinion? Yes, every film lover has them, if only out of love for the medium or a specific film. But after viewing a film such as "Marie Antoinette," it can with utmost conviction be stated, "They DON'T make them that way anymore."
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