A pair of detectives investigates the murder of an elderly millionaire who was the target of blackmail and death threats and find that there is no shortage of suspects, many of them in the victim's own family.
The police arrest a man climbing over the wall of a cemetery after midnight. He claims that he is being blackmailed and is following instructions he received by mail to leave $1000 on a ... See full summary »
The owner of a large mansion in the country throws a costume party for some of his friends. However, the party turns sour when he is found stabbed to death in a closet. The police and a guest try to discover who committed the murder.
Globe-trotter Barry Wilding (Leslie Fenton) intercedes when a man annoys Julie Kenmore (Muriel Evans) on a ship crossing the English Channel, but she refuses to tell him her name or address. Barry determines to find her in London, but he is summoned to a lawyer's office and informed that he has inherited "The Hawk's Nest", a large estate outside London. He has to sign a declaration that he will never sell the property. He arrives there and is roughly put off his own property be trespassers who have taken up residence. Despite offers to buy the estate and warnings to get out of England, Barry refuses to do either. Julie appears and tells Barry she is living at "The Hawk's Nest" and he must allow her and her father, Dr. Kenmore (Morgan Wallace), to continue to live there for at least six months, and he can not visit her there. But Barry continues to try to solve the mystery that surrounds his inheritance even after being attacked by three American gangsters. Barry tries to enlist the ...Written by
Les Adams <firstname.lastname@example.org>
The earliest documented telecast of this film took place in New York City Saturday 13 November 1948 on WATV (Channel 13). It first aired in Cincinnati Thursday 10 November 1949 on WKRC (Channel 11). See more »
Likable cad Fenton stars as an affable, assertive gent who inherits a mansion following the death of a distant uncle. When he attempts to take possession of the mansion, he discovers a group of shady characters occupying the house, including a sultry beauty (Evans) with whom he had a bizarre encounter on the ship across the Atlantic. Along with his detective pal (Blackmer), the pair soon discovers that there's more than meets the eye to the supposedly haunted house, its strange occupancy (a raving lunatic) and a gang of murderous thieves converging on an alleged hidden treasure.
It's all happening at a brisk pace, with fast-talking Fenton quite a gregarious chap, Evans an attractive and mysterious vice, while in my opinion, Blackmer was the best performer, displaying a professionalism and ease that made him a bankable talent for six decades in a long and illustrious career.
While the conclusion is a little hackneyed, there's some effort gone into the neatly woven plot, with all loose ends tying together, albeit a little conveniently. It's the strength of the three leads (Fenton, Evans and Blackmer) that elevates this run-of-the-mill tale to average status.
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