A wealthy banker throws his wife's expensive fur coat off the roof of a building; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it off the roof, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns.Written by
Ken Yousten <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Phoenix Friday 20 February 1959 on KVAR (Channel 12), followed by Omaha 23 June 1959 on KETV (Channel 7), by Pittsburgh 29 August 1959 on KDKA (Channel 2), by Asheville 20 September 1959 on WLOS (Channel 13), by Grand Rapids 28 December 1959 on WOOD (Channel 8), by Johnstown 13 January 1960 on WJAC (Channel 6), by Milwaukee 19 January 1960 on WITI (Channel 6), by Huntington 31 January 1960 on WHTN (Channel 13), and by Toledo 17 June 1960 on WTOL (Channel 11). It was released on DVD 22 April 2008 as part of the Universal Cinema Classics series and since that time has also enjoyed occasional airings on cable TV on Turner Classic Movies. See more »
During automat free-for-fall, one of the customers drops a tray full of dishes which are clearly attached to the tray; the dishes don't even move when the tray hits the floor. See more »
The pleasures of a Preston Sturges film are many, and even his poorest are miles above the competition. I know, you're saying that Mitchell Leisen directed this and that it was based on a play but after hearing that incredible dialogue and seeing those broadly drawn characters, imbued with a warmth not found in most comedies, you can't tell me that this isn't a Preston Sturges film. Sure, there is evidence of Leisen's restraining hand that you can't find in, say, Miracle of Morgan's Creek, but it's Sturges, all right. But for me, the real joy is seeing my favorite actress from this period, Jean Arthur, work with material, from my favorite writer from this period, Sturges. She fits this material so well that it is a shame they never worked together again. Another real strength is the work of the character roles, always so good in Sturges films and we see a few of the actors who will later become part of the 'Sturges stock company'. So, if you want hilarious situations, laugh-out-loud dialogue and strong comedic characters, I heartily recommend this great film.
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