7.2/10
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3 user

The Show Goes On (1936)

The Three Maxims (original title)
| Drama, Musical

Director:

Herbert Wilcox

Writers:

Nicolas Farkas (story), Herman J. Mankiewicz (adaptation) (as Herman Mankiewicz) | 1 more credit »
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Cast

Cast overview, first billed only:
Anna Neagle ... Pat
Tullio Carminati ... Toni
Leslie Banks ... Mac
Arthur Finn Arthur Finn ... Hiram K. Winston
Olive Blakeney ... Mrs. Winston
Miki Hood Miki Hood ... Valentine
Anthony Ireland ... Val
Nicolas Koline Nicolas Koline ... Niki
Gaston Palmer Gaston Palmer ... Juggler
Leonard Snelling Leonard Snelling ... Prodigy
Winifred Oughton Winifred Oughton ... Prodigy's Mother
Beatrix Fielden-Kaye Beatrix Fielden-Kaye ... Madame Thomas
Lawrence Hanray Lawrence Hanray ... Thomas (as Laurence Hanray)
Tarva Penna Tarva Penna ... The Doctor
Vincent Holman Vincent Holman ... Cafe Proprietor
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Storyline

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Genres:

Drama | Musical

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Details

Country:

UK

Language:

English

Also Known As:

The Show Goes On See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Falling In Love Without a Net
18 April 2017 | by bobliptonSee all my reviews

Anna Neagle, Leslie Banks and Tullio Carminati are the Three Maxims, a first-rate trapeze act in a third-rate circus. Fortune, however, beckons with a contract for a Parisian theater. At this point Banks asks Carminati to propose to Anna for him; when she turns him down, he turns surly, thinking the two are in love; he drops Carminati into the net during rehearsal, and they work without a net when there's an audience.

It's certainly a pleasure to see Miss Neagle in white tights, but there's nothing to do with the circus in her performance. She is miscast, but who can blame her producer and director, Herbert Wilcox, whom she would marry seven years later? It's a love letter to her, and who can blame the smitten fellow? Her co-leads are fine and the production certainly puts a lot of money on the screen with a crowd of extras in the theater scenes.

Whoever the uncredited acrobats were that filled in for the leads on the trapeze, they did a good job, as did Freddie Young, the great cinematographer, in the long shots -- alas, the print I looked at was not sharp to determine if the close-ups were of equal quality, but I'm sure they were.


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