Bert Wheeler and Robert Woolsey play a couple of broke, hungry vaudevillians who are holed up in a hotel room with a few (tame) lions. They are hired by a movie producer who wishes to send ... See full summary »
Edward F. Cline
Roscoe the Rainmaker is invited to California (with sidekick "Billy") to relieve a terrible dry spell and to save the community from an unscrupulous businessman who stands to profit from ... See full summary »
After a quarrell at their 25th wedding aniversery, Joe and Aggie Bruno decide to divorce each other, and both leave for Reno. So do their daughters Prudence and Pansy, but they want to get ... See full summary »
New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his ... See full summary »
[All trivia items for this title are spoilers.]
See more »
Music by Stephen Foster
Played during the opening credits and often in the score See more »
Not as bad as I'd been led to believe
I've been watching Wheeler and Woolsey movies for about fifteen years, but was only able to see this one just last month. First, many thanks to TCM for allowing this film to be shown--finally!
That being said, I must say that I was prepared to be entirely disappointed with this film. I had seen nothing but negative reviews or comments about it. In contradistinction to this, I was surprised that I did actually enjoy the film. I might even go so far to say that it is one of the best of W & W's "last five" films.
The film's first half had a certain quirkiness that did not exactly produce bellyfuls, but that had an agreeable sardonic aspect. The second half was less satisfying, but I could not help thinking that it seemed odd for the duo to be involved in a rather realistic plot, as opposed to the feathery things that usually provide the excuse for their antics.
Thus, it seemed that the boys were participating in the real world for once, in this film anyway. I might only add the musical number was most agreeable, and leave any future viewer with the impression that this film is the post-code equivalent of "Caught Plastered" (1931), some silly lines, and a tired plot, but with good effort. I'm sure that some W & W fans might object to this analogy, but it's the best that I can make with their earlier work.
7 of 7 people found this review helpful.
Was this review helpful to you?
| Report this