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Bride of Frankenstein (1935)

Not Rated | | Drama, Horror, Sci-Fi | 6 May 1935 (USA)
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Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

Director:

James Whale

Writers:

Mary Shelley (suggested by: the original story written in 1816 by) (as Mary Wollstonecraft Shelley), William Hurlbut (adapted by) | 2 more credits »
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Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Boris Karloff ... The Monster (as Karloff)
Colin Clive ... Henry Frankenstein
Valerie Hobson ... Elizabeth
Ernest Thesiger ... Doctor Pretorius
Elsa Lanchester ... Mary Wollstonecraft Shelley / The Monster's Mate
Gavin Gordon ... Lord Byron
Douglas Walton ... Percy Bysshe Shelley
Una O'Connor ... Minnie
E.E. Clive ... Burgomaster
Lucien Prival ... Butler - Albert
O.P. Heggie ... Hermit
Dwight Frye ... Karl Glutz
Reginald Barlow Reginald Barlow ... Hans
Mary Gordon ... Hans' Wife
Anne Darling ... Shepherdess (as Ann Darling)
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Storyline

Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

Coming! Universal's Shiveriest Sensation! See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

6 May 1935 (USA) See more »

Also Known As:

The Bride of Frankenstein See more »

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Box Office

Budget:

$397,024 (estimated)

Cumulative Worldwide Gross:

$10,382
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Noiseless Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Censors caused Pretorious' derogatory line about "fairy tales" to be changed to "Bible stories," but once they saw the sneering contempt which Ernest Thesiger loaded into his delivery of these two words, they wished they had left the original script unchanged. See more »

Goofs

When the monster struggles with the woman he has just pulled out of the pond, his hand is alternately on/not on her mouth between frames. See more »

Quotes

[first lines]
[prologue]
[Lord Byron looking out the window at a thunderstorm]
Lord Byron: How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
Lord Byron: And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those ...
[...]
See more »

Crazy Credits

In the opening and closing credits, "The Monster's Mate" is listed as being played by " ? " . Elsa Lanchester is only billed as playing Mary Shelley. See more »

Alternate Versions

The Director's cut was 87 minutes long, but Producer Carl Laemmle Jr. imposed a number of cuts, to tame down the Director's "excesses". The Prologue was cut (making difficult to understand the present dialogue), the body count was reduced from 21 to 10, two love scenes between the couple and a toy representing the Monster with a child have been deleted. This ammount of 12-minute footage has subsequently been lost, making it impossible to reconstruct the initial idea by 'James Whale'. See more »

Connections

Referenced in Here's Lucy: Lucy and Tennessee Ernie's Fun Farm (1969) See more »

Soundtracks

Frühlingslied (Spring Song) Op.62 #6
(1842) (uncredited)
Written by Felix Mendelssohn-Bartholdy
Danced by Kansas DeForrest
See more »

Frequently Asked Questions

See more »

User Reviews

 
The Monster is More True to Shelley's Vision
7 March 2006 | by HitchcocSee all my reviews

When Ernest Thesiger points and says, "The bride of Frankenstein," rolling his r's, he creates one of the greatest scenes in cinematic history. I do consider the second film superior to the first (though I love them both) because of the complexity of the characters and, more specifically, the monster. In Shelley's book the monster is lonely but articulate. He seeks out a bride. Frankenstein creates one but then destroys her, making his creature furious and vengeful. This monster actually has a kind part to him. For him to be blunt force thug can only go so far. It works in the first film but how much more growling and stomping could there be? The scenes of him wandering in the countryside, meeting the lonely old blind man in the house in the woods, and being shown kindness by him is very touching. The monster is allowed some humanity; some privacy. We know this can't last because his creator has doomed him. We often see Victor as some kind of hero, but, in reality, he has committed an incredible sin against another being. He wants a companion, but she turns on him and destroys his hope.

The setup, with Elsa Lanchester as Mary Shelley, talking with the foremost romantic poets of the time, Percy Shelley and Lord Byron (who also rolls his r's), is a great lead in as she brags about writing a story that will make your skin crawl. She must have been something in that male dominated society. Of course, her mother was one of the first to demand rights for women. When she reappears as the Bride, it is awesome. And who came up with the hair. It is one of those things like the monster's neck bolts, that has become such an icon for our culture.

These early Universal films deserve to be judged as major movies. Just because the subject is horror, doesn't mean they should be dismissed. James Whale was a great director with an amazing vision.


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