Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »
Prizefighter Jimmy Dolan accidentally kills a man at a party and escapes. He hides out at a health farm for invalid children and begins to lose his cynicism under the influence of the ... See full summary »
Douglas Fairbanks Jr.,
A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, ... See full summary »
A Parisian sewer worker longs for a rise in status and a beautiful wife. He rescues a girl from the police, lives with her in a barren flat on the seventh floor, and then marches away to ... See full summary »
Russian prince goes to Monte Carlo just after World War I with money supplied him by Parisian Russians. He wins but the casino operators want him honor the tradition of returning to the ... See full summary »
FEAST YOUR EYES ON THIS MERRIEST OF GIRL-CROWDED MUSICALS...SEE EDDIE BECOME A POPEYED SOLDIER OF FORTUNE...HUNTING DAMES AND DOUGH TO THE TUNE OF SWELL SONGS! (Print Ad- Milwaukee Journal, ((Milwaukee, Wisc.)) 3 January 1935) See more »
In the early 1930's Eddie Cantor was one of the biggest stars in the world, and "Kid Millions" will show you why. Cantor was energetic, wry, occasionally cutting (without heaping on the cruelty), sweet, and just plain funny, and it's a shame that most people today don't have the faintest idea of who he was. But then, that's increasingly true of Groucho, too. What to do with such a world?
"Kid Millions" has lots of incidental pleasures, including the presence of the ridiculously young Nicholas Brothers, Ann Sothern, and Ethel Merman (who once again proves why she was just too "big," even for grandly produced spectacles like this one). Perhaps most interesting, from a film-history perspective, is the elaborate "Ice Cream Factory" sequence, which was shot in still-experimental 3-strip Technicolor. The earlier (2-strip) Technicolor could only render shades of cyan and magenta (often mistaken today for fading), while the new process was explosively full-spectrum. Audiences at the time must have been astonished.
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