6.5/10
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40 user 15 critic

Morning Glory (1933)

Passed | | Drama, Romance | 18 August 1933 (USA)
When a naively innocent, aspiring actress arrives on the Broadway scene, she is taken under the wing of several theater veterans who mentor her to ultimate success.

Director:

Lowell Sherman

Writers:

Howard J. Green (screen play), Zoe Akins (from the play by)
Reviews
Won 1 Oscar. See more awards »

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Cast

Complete credited cast:
Katharine Hepburn ... Eva Lovelace
Douglas Fairbanks Jr. ... Joseph Sheridan
Adolphe Menjou ... Louis Easton
Mary Duncan ... Rita Vernon
C. Aubrey Smith ... Robert Harley Hedges
Don Alvarado ... Pepi Velez
Fred Santley Fred Santley ... Will Seymour (as Fredric Santly)
Richard Carle ... Henry Lawrence
Tyler Brooke Tyler Brooke ... Charles Van Duesen
Geneva Mitchell ... Gwendolyn Hall
Helen Ware ... Nellie Navarre
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Storyline

Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

A drama fired with Hepburn's blazing genius ! See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

18 August 1933 (USA) See more »

Also Known As:

Gloria de un día See more »

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Box Office

Budget:

$239,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on March 24, 1940 with Adolphe Menjou reprising his film role. See more »

Goofs

When a newspaper clipping is shown on screen, the Broadway impresario's name in the article is Lewis Easton. In the end credits, the character's name is Louis Easton. See more »

Quotes

Eva Lovelace: Good evening, Miss Vernon.
Rita Vernon: Good evening.
Eva Lovelace: Well, evidently you don't remember who I am; but, I met you with Mr. Hedges in Mr. Easton's office, when I first came to New York.
Rita Vernon: But, my dear, I meet so many people. Come along, Pepe
[Rita's date]
Rita Vernon: , let's have another drink.
[to Eva]
Rita Vernon: You know, the only way to live through a party like this is to get good and tight.
See more »

Connections

References Flaming Guns (1932) See more »

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User Reviews

 
Another Delicious "Star is Born" Film
22 June 2001 | by jacksflicksSee all my reviews

Sometimes I get irritated at how narcissistic Hollywood is, even on the subject matter of its films: there's an obvious Hollywood bias in favor of stories about show business, especially show business people. It seems as if, even if the main story isn't about show business, there's inevitably a girlfriend who's a nightclub singer or someone's putting on a skit or having a talent show. However, there are some exceptions to this tiresome self-promotion. The Gaynor and Garland versions of "A Star is Born," "What Price Hollywood," "Stage Door" and "Sunset Boulevard" come to mind. Here's another film about becoming a star that I love. "Morning Glory" is about a stage-struck young girl who makes it to the top. Sound familiar? Yes, but there's a charming little variant here - she achieves her stardom with her naiveté intact. This proposition would seem hard to swallow if it weren't for the fact that the young ingenue happens to be a very young Katherine Hepburn. You don't need gauze over the lens with Hepburn before the camera. She seems to generate her own nimbus. It also helps that Adolphe Menjou is present as the worldly wise, cynical, yet in the end kind impresario.

But for me, the biggest treat is that Hepburn was directed in "Morning Glory" to her first Oscar by the great Lowell Sherman, whose untimely death deprived movie lovers of a great talent, both behind and in front of the camera. What is so eerie about Sherman is his almost autobiographical end-life in film. In "Morning Glory" he was directing a brand new star playing a brand new star. And in "What Price Hollywood," the prototype of "A Star is Born," Sherman actually played a director who discovers and develops a new star, a director who's at the end of his rope - as Sherman actually was! "What Price Hollywood" was Sherman's penultimate film - he died, worn out, two years later.

Sure, "Morning Glory" is dated to modern audiences, but even if you're unable to get over yourself and make allowances for passé cinematic styles, which are inevitable in films not far removed from the pantomime of silents, let yourself get a kick out of watching this story behind the story.


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