6.0/10
102
8 user 2 critic

Clear All Wires! (1933)

Passed | | Comedy, Drama, Romance | 24 February 1933 (USA)
Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he ... See full summary »

Director:

George W. Hill

Writers:

Bella Spewack (from the stage play written by), Sam Spewack (from the stage play written by) (as Samuel Spewack) | 3 more credits »
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Cast

Complete credited cast:
Lee Tracy ... Buckley Joyce Thomas
Benita Hume ... Kate
Una Merkel ... Dolly
James Gleason ... Lefty
Alan Edwards ... Pettingwaite
Eugene Sigaloff Eugene Sigaloff ... Prince Alexander
Ari Kutai Ari Kutai ... Kostya
C. Henry Gordon ... Commissar
Lya Lys ... Eugenie
John Bleifer John Bleifer ... Sozanoff (as John Melvin Bleifer)
Lawrence Grant ... MacKenzie
Guy Usher Guy Usher ... J. H. Stevens
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Storyline

Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he finds that his boss, Stevens, at the Chicago Globe is going with his old gal Dolly. When Stevens learns that Dolly is staying with Buckley in Moscow, he fires Buckley. To get his job back, Buckley and Lefty stage a great news story about the shooting of the last Romanoff, but the plan backfires and they are now in line to be shot by the Commissar. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

The faked murder that wins headlines! (Print Ad- Plattsburg Daily republican,((Plattsburg, NY)) 3 June 1933)

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

24 February 1933 (USA) See more »

Also Known As:

O Homem Sensacional See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The play opened on Broadway in New York City, New York, USA on 14 September 1932 and had 93 performances. The opening night cast included Thomas Mitchell, Dorothy Tree, Dorothy Mathews and Harry Tyler as the four leads. John Bleifer and Eugene Sigaloff originated their movie roles in the play. See more »

Goofs

The James Gleason character "Lefty" is shown to be clearly right-handed when he takes notes. See more »

Soundtracks

The Star Spangled Banner
(1814) (uncredited)
Music by John Stafford Smith
Played during the opening credits
See more »

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User Reviews

 
Strange, lumpy mix of comedy and politics
4 September 2018 | by rhoda-9See all my reviews

Lee Tracy plays his usual role of the fast-talking, unprincipled hotshot, this time as a foreign correspondent who exaggerates, lies, and even sets up a mock assassination to scoop his rivals. Some of this is funny, some just silly and dumb, and some creepy. Russia under Stalin (whom Tracy calls Sta-LEEN) was no joke. Indeed, when Tracy visits the headquarters of the secret police, he sees two leaders of a student protest marched past him in chains, then out to a courtyard where men are waiting with rifles. Soon afterwards we hear shots in the background. Yet Tracy never comments on this, and the comedy carries on regardless, with many hasty and unlikely events.

Una Merkel gets to forsake her switchboard for a change, which she must have appreciated, and amusingly play a cutie pie who is supposed to be Tracy's girlfriend but is more interested in what she can get from a wealthy sugar daddy. Benita Hume, as the attractive, sensible woman who loves Tracy but is ignored or exploited by him, is given a part so perfunctory as to be practically invisible.

Jimmy Demarest is, as ever, welcome as the gravel-voiced, hapless fall guy. At one point he leaves on a mission to make inquiries at a government department; he returns after hardly enough time to have left the building. Such devices point to the film's origin as a ramshackle, wacky stage play, in which a casual approach to believability and consistency of tone could be laughed off as part of the fun. Movies, however, are more realistic, and the flaws make for almost as much annoyance as comedy.


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