Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ...
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Ten years of married life beginning in 1925. Mary stands by Jack after the Depression of 1929 but considers divorce when he again becomes successful by 1935. Bill, who loves Mary, works at ... See full summary »
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different personality type, from sensitive, to kind-hearted, to difficult and untrustworthy. Set in the age of jazz, the twenties come roaring back with immorality and in-fighting.Written by
In her December 1972 interview to Leonard Maltin in Film Fan Monthly, Madge gave the following testimony on the atmosphere on the set during filming: "That was a rather hectic picture, with him [i.e. Lowell Sherman] not taking the directing seriously, George Barnes falling madly in love with Joan [i.e. Joan Blondell] so he could hardly see anybody but Joan. Ina Claire was very much in love with John Gilbert (this was before they were married) and every time she got into a costume that she thought she looked well in, particularly the bridal costume at the end of the film, she disappeared from the lot, because she had driven off to Metro to show John Gilbert how enchanting she looked. I went into that film very quickly, because Carole Lombard was supposed to do the part I played, but she became ill, and I replaced her." See more »
Joan Blondell, Madge Evans, and Ina Claire bring the Zoe Akins comedy, The Greeks Had A Word For It to the big screen. It's the story of three women who have determined that the good times of the 20s won't last and they're all determined to marry men who can support them in good style. By the time the play was making its 253 performance run on Broadway the Depression was upon us. No doubt those in the audience were saying how wise these girls were.
All three are different personality types, Claire's character isn't the noblest of God's creations, but they do have a bond with each other that seems to override all.
Adkins wrote some really great lines and the three of them, especially Blondell deliver those pre-Code zingers with pizazz. Those lines she didn't write Sidney Howard did for the screen and between the two of them we got one good script.
The American cinema has given us four versions of this story, the others being Three Blind Mice, Moon Over Miami, and How To Marry A Millionaire. All of them were updated to suit the times they were made in. An easy task to do because Akins is writing about eternal situations.
For fans of the leads, especially Blondell.
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