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Flying High (1931)

An eccentric inventor and his new flying machine are the focus of this musical comedy.

Director:

Charles Reisner (as Charles F. Reisner)

Writers:

Buddy G. DeSylva (book) (as George G. De Sylva), Lew Brown (book) | 5 more credits »
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Cast

Complete credited cast:
Bert Lahr ... Rusty
Charlotte Greenwood ... Pansy
Pat O'Brien ... Sport
Kathryn Crawford ... Eileen
Charles Winninger ... Doctor Brown
Hedda Hopper ... Mrs. Smith
Guy Kibbee ... Mr. Smith
Herbert Braggiotti Herbert Braggiotti ... Gordon
Gus Arnheim and His Orchestra Gus Arnheim and His Orchestra ... Gus ArnHeim's Orchestra (as Gus Arnheim and his Orchestra)
Rest of cast listed alphabetically:
Gus Arnheim Gus Arnheim ... Gus Arnheim - the Orchestra Leader
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Storyline

An eccentric inventor and his new flying machine are the focus of this musical comedy.

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

14 November 1931 (USA) See more »

Also Known As:

George White's Flying High See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

There was considerable pressure from the Hays Office to remove the examination scene from the movie, but MGM held firm, claiming they paid $100,000 for the rights to the play just for that particular scene. Eventually some aspects of that scene was removed when some exhibitors rejected the film. The TCM print contains the scene, but it may be the abbreviated version. See more »

Quotes

Doctor Brown: For somersaults and tailspins I have to test your nerves. I must see just how good you are on curves.
Chorus Girl: Oh, we're very good on curves.
See more »

Connections

Featured in That's Dancing! (1985) See more »

Soundtracks

It'll Be the First Time for Me
(1931) (uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
Sung by Charlotte Greenwood and Bert Lahr
See more »

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User Reviews

 
too much book, not enough music
17 July 2010 | by mukava991See all my reviews

The 1930 musical comedy Flying High was a Broadway hit for comedian Bert Lahr, singer Kate Smith and the crack songwriting team of DeSylva, Brown & Henderson. Unfortunately when MGM filmed it, too many dandy DBH songs were thrown out and not enough others (by Dorothy Fields and Jimmy McHugh) were substituted to offset the deadening effects of the silly, contrived book and the unfunny vaudeville routines that may have left audiences howling with laughter on the Great White Way but left them yawning in movie theatres. Replacing the rotund Kate Smith with the lanky Charlotte Greenwood also did not work because Greenwood isn't extreme enough in her ungainliness to justify Lahr's deep reluctance to mate with her. I won't even bother to discuss why. The idiotic plot takes place in and around an aviation school and involves Greenwood's pursuit of Lahr, the inventor of an "aerocopter," a machine that goes up but apparently not sideways.

One thing MGM did do right was to engage Busby Berkeley for two of the dance numbers: "Happy Landing" and "We'll Dance Until the Dawn." His trademark geometric patterns, line- ups, transitions and in-camera tableaux are all in place even in this early effort; all would reappear in more polished and extravagant form over the next several years at Warner Bros. and beyond.

Two fine DBH songs, "Without Love" and "Wasn't It Beautiful While It Lasted" are served up sparingly as instrumental underscoring in a nightclub scene. Charles Winninger as the school's doctor tries but fails to rescue a half-baked recitative sequence in which he examines scantily clad female aviation students. Lahr and Greenwood get some laughs exercising their prodigious physical talents in the rowdy "The First Time for Me."

Lahr's performance in this film is often criticized for being too broad for film; that is correct, especially the "gnong-gnong-gnong" moments, but the material doesn't exactly lend itself to subtlety. Hedda Hopper appears briefly as a concerned mother. Her line readings and general bearing never changed from film to film; she talks like an elocution teacher at a microphone, a technique that served her well in her later career announcing Hollywood gossip on radio. In supporting roles Kathryn Crawford sings sweetly if off-key and Pat O'Brien remains lifeless throughout.


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