Little Caesar (1931) - News Poster



Peter Bart: Gangster Movies Return In Big Way In 2019, Awakening Genre From Its Hollywood Dirt Nap

  • Deadline
Peter Bart: Gangster Movies Return In Big Way In 2019, Awakening Genre From Its Hollywood Dirt Nap
Billy Wilder once observed that the best way to cast a gangster movie was to tour executive offices at the studios. That may be one reason he avoided the genre. Despite Wilder’s apprehensions, the two most anticipated 2019 releases — from Martin Scorsese and Quentin Tarantino, no less — harken back to that revered genre. As such, they may revive the question: Why did Hollywood all but abandon their mobsters?

Ironically, two newly published books that have nothing to do with the Scorsese and Tarantino movies remind us of the reasons: Gangster movies, it seems, began to hit too close to home. New nonfiction biographies of Johnny Rosselli and W.R. (Billy) Wilkerson provide vivid details of the scandalously close ties between the studio chiefs and organized crime from the 1930s through 1950s, and later. As such, they serve as intriguing context for the new entries.

Scorsese’s $200 million The Irishman, starring
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Friday One Sheet: Slice And Brand Humor

The minimal teaser posters for A24's 'pizza delivery boy slasher film,' Slice, get right to the meat and cheese of the matter. B O N D, one of my favourite key art design houses who did the tropical Star Wars: Rogue One campaign, the Dunkirk campaign and the lovely Mad Max: Fury Road designs, have made an easy but effective subversion of the Little Caesar's and Domino's Pizza branding, just sprucing them up with a bit of blood and gore.  Most will remember the '30 Minutes Or It's Free!' days for Domino's Pizza back in the day, which becomes the tagline here. No credit block for these teasers, the tagline and the distributor is the only text on the poster aside from the title, although...

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See full article at Screen Anarchy »

The Sea Wolf

Now restored to perfection, this genuine classic hasn’t been seen intact for way over sixty years. Michael Curtiz and Robert Rossen adapt Jack London’s suspenseful allegory in high style, with a superb quartet of actors doing some of their best work: Robinson, Garfield, Lupino and newcomer Alexander Knox.

The Sea Wolf


Warner Archive Collection

1941 / B&W / 1:37 flat Academy / 100 min. uncut! / Street Date October 10, 2017 / available through the WBshop / 21.99

Starring: Edward G. Robinson, Alexander Knox, Ida Lupino, John Garfield, Gene Lockhart, Barry Fitzgerald. Stanley Ridges, David Bruce, Francis McDonald, Howard Da Silva, Frank Lackteen, Ralf Harolde

Cinematography: Sol Polito

Film Editor: George Amy

Art Direction: Anton Grot

Special Effects: Byron Haskin, Hans F. Koenekamp

Original Music: Erich Wolfgang Korngold

Written by Robert Rosson, from the novel by Jack London

Produced by Hal B. Wallis, Henry Blanke

Directed by Michael Curtiz

Chopping up films for television was once the
See full article at Trailers from Hell »

How Today’s ‘Nonsensical’ Blockbuster Filmmaking Can Learn a Lesson From American Movies of the ’70s

How Today’s ‘Nonsensical’ Blockbuster Filmmaking Can Learn a Lesson From American Movies of the ’70s
Film critic Charles Taylor’s first collection of essays, “Opening Wednesday at a Theater or Drive-in Near You: The Shadow Cinema of the American ’70s,” explores the rich history of ’70s-era American filmmaking through a unique lens, opting to highlight some of the period’s underseen and often underappreciated gems. As one of the most fruitful times in American filmmaking, Taylor understands why certain features — including offerings from such respected filmmakers as Jonathan Demme, Walter Hill, and Irvin Kershner — didn’t quite make it big at a crowded box office, but he’s also eager to give them their due.

Told with an eye towards the current state of cinema — a blockbuster-driven machine that Taylor calls “nonsensical” and contributing to “the destruction of the idea of content” — the book is a loving look at some forgotten gems and the power of moviemaking that can often be ignored. In our excerpt from the book,
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Rediscovering Long-Forgotten Pioneering Comedy Performer: She Could Have Been Chaplin!

Comedy actress Alice Howell on the cover of film historian Anthony Slide's latest book: Pioneering funky-haired performer 'could have been Chaplin' – or at the very least another Louise Fazenda. Rediscovering comedy actress Alice Howell: Female performer in movie field dominated by men Early comedy actress Alice Howell is an obscure entity even for silent film aficionados. With luck, only a handful of them will be able to name one of her more than 100 movies, mostly shorts – among them Sin on the Sabbath, A Busted Honeymoon, How Stars Are Made – released between 1914 and 1920. Yet Alice Howell holds (what should be) an important – or at the very least an interesting – place in film history. After all, she was one of the American cinema's relatively few pioneering “funny actresses,” along with the likes of the better-known Flora Finch, Louise Fazenda, and, a top star in her day, Mabel Normand.[1] Also of note,
See full article at Alt Film Guide »

Rushes. Wes Anderson, Chicago's Crime Culture, Nicole Kidman, Walter Hill

  • MUBI
Get in touch to send in cinephile news and discoveriesNEWSRadley Metzger's The Lickerish QuartetRadley Metzger, whose groundbreaking erotic films helped set standards of style for both mainstream and arthouse cinema, has died at 88. His classics Camille 2000 (1969) and The Lickerish Quartet (1970) were featured on Mubi last year. Critic and programmer Steve Macfarlane interviewed the director at Slant Magazine for the Film Society of Lincoln Center's 2014 retrospective devoted to Metzger.Recommended VIEWINGThe Cinémathèque française has been on a roll uploading video discussions that have taken place at their Paris cinema. This 34 minute talk is between Wes Anderson and director/producer Barbet Schroeder.The Criterion Collection has recently released a new edition of Michelangelo Antonioni's masterpiece Blow-Up, and has uploaded this stellar clip of actor David Hemmings speaking on a talk show about making the film.Recommended READINGHoward Hawks' ScarfaceHow does Chicago intertwine itself with crime and the culture created in the mix of the two?
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Horror Highlights: Talking With Chris Hardwick Guests, Larry Cohen Retrospective Screenings, Teenage Ghost Punk

Chris Hardwick is truly the man with many talk shows! Soon, AMC will introduce viewers to Talking with Chris Hardwick, which premieres on Sunday, April 9th! The lineup of guests is pretty interesting and includes Bryan Cranston and Elijah Wood. Also: details on screenings of Larry Cohen's films at The Quad and release details for Teenage Ghost Punk.

Talking With Chris Hardwick's First Lineup of Guests Revealed: Press Release: "New York, NY – March 30, 2017 – AMC announced today an initial lineup of guests set to appear on “Talking with Chris Hardwick,” an extension of the #1 talk show on television, “Talking Dead.” Guests include (not in air order): Michelle Monaghan, Charlie Hunnam, Connie Britton, Justin Theroux, Bryan Cranston, Elijah Wood, Damon Lindelof, Neil deGrasse Tyson, and the cast of “Silicon Valley.” Additional guests will be announced soon. “Talking with Chris Hardwick” premieres on Sunday, April 9 at 11:00 p.m.
See full article at DailyDead »

Cool Samurai Armor Made Out of Cardboard

Now you can make your own samurai armor out of cardboard! It might not offer you any real protection, but it’s light, cool, and stylish. The armor comes in two different styles: The bright red armor based on famed warrior Sanada Yukimura’s iconic outfit, complete with reindeer horns; and the other is a dark set of armor inspired by Date Masamune’s.

They armor is designed to fit adults from 4′ 11″ to 5′ 10″ tall. They are available for $70 (Usd) each from Japan Trend Shop. Techabob amusingly points out that if that’s too much money for you, you can always go the Little Caesar’s armor route.
See full article at GeekTyrant »

Key Largo

Bogie and Bacall are back, but with Edward G. Robinson's oily gangster breathing down their necks -- "Nyah!" Excellent direction (John Huston) and great performances (Claire Trevor) have made this one an eternal classic. We want subtitles for whatever Eddie whispered in Betty's ear... A most-requested, or demanded, HD release from Warners. Key Largo Blu-ray Warner Archive Collection 1948 / B&W / 1:37 flat Academy / 100 min. / Street Date February 23, 2016 / available through the WBshop / 21.99 Starring Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Lionel Barrymore, Claire Trevor, Thomas Gomez, Harry Lewis, John Rodney, Marc Lawrence, Dan Seymour, Monte Blue, William Haade, Jay Silverheels, Rodd Redwing. Cinematography Karl Freund Film Editor Rudi Fehr Original Music Max Steiner Written by Richard Brooks, John Huston from the play by Maxwell Anderson Produced by Jerry Wald Directed by John Huston

Reviewed by Glenn Erickson

I'd guess that Key Largo became a classic the moment it hit the screen,
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Friday Noir #144: ‘The Red House’ showcases dark ideas and one of Robinson’s best performances

The Red House

Written and directed by Delmer Daves

U.S.A., 1947

*It should be noted that in order to properly analyze the heart of the picture’s themes, certain important plot points are divulged in the review below.

Sequestered away from most of the town they live in, the Morgan’s operate a modest but efficient little farm. Patriarch Pete (Edward G. Robinson), slightly handicapped by a wooden leg resulting from an incident many years ago, remains hard at work but evidently could use some assistance. Enter young Nath Storm (Lon McCallister), a boy from school that Pete’s shy adopted daughter, Meg (Allene Roberts) befriends and fancies. Meg introduces Nath to Pete, the latter reluctantly agreeing to give the youth a job. Whilst the first day goes swimmingly, that evening proves the fire starter that complicates each of their lives. Nath insists on taking a short cut through the woods,
See full article at SoundOnSight »

Barbary Coast

Crime, lust and vigilante lynchings in the wide-open city on the bay, back in the gold rush days. Miriam Hopkins, Edward G. Robinson and Joel McCrea form a spirited triangle as a sharp roulette dealer strings one man along and can't prevent another from throwing away a fortune. Sam Goldwyn's impressive production shows Howard Hawks developing strong characters, in a somewhat old-fashioned story. Barbary Coast DVD-r The Warner Archive Collection 1935 / B&W / 1:37 flat Academy / 90 min. / Street Date June, 2015 / available through the WBshop / 21.99 Starring Miriam Hopkins, Edward G. Robinson, Joel Mccrea, Walter Brennan, Frank Craven, Brian Donlevy, Clyde Cook, Harry Carey, Matt McHugh, Donald Meek. Cinematography Ray June Original Music Alfred Newman Written by Ben Hecht, Charles MacArthur Produced by Sam Goldwyn Directed by Howard Hawks

Reviewed by Glenn Erickson

A Sam Goldywyn film through and through, Howard Hawks' Barbary Coast could almost be a template for a standard 'golden age' Hollywood movie.
See full article at Trailers from Hell »

Forbidden Hollywood Volume 9

Depraved convicts ! Crazy Manhattan gin parties! Society dames poaching other women's husbands! A flimflam artist scamming the uptown sophisticates! All these forbidden attractions are here and more -- including Bette Davis's epochal seduction line about impulsive kissing versus good hair care. It's a 9th collection of racy pre-Code wonders. Forbidden Hollywood Volume 9 Big City Blues, Hell's Highway, The Cabin in the Cotton, When Ladies Meet, I Sell Anything DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Joan Blondell, Eric Linden, Humphrey Bogart; Richard Dix, Tom Brown; Richard Barthelmess, Bette Davis, Dorothy Jordan, Berton Churchill; Ann Harding, Robert Montgomery, Myrna Loy, Alice Brady, Frank Morgan; Pat O' Brien, Ann Dvorak, Claire Dodd, Roscoe Karns. Cinematography James Van Trees; Edward Cronjager; Barney McGill; Ray June Written by Lillie Hayward, Ward Morehouse, from his play; Samuel Ornitz, Robert Tasker, Rowland Brown
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How Michael Stuhlbarg Plumbs Emotion in 'Trumbo' and 'Steve Jobs'

How Michael Stuhlbarg Plumbs Emotion in 'Trumbo' and 'Steve Jobs'
Some great actors are contained and reserved. They turn their wattage off and on. Others stay close to their emotions. As I interviewed "Boardwalk Empire" star Michael Stuhlbarg (the gangster Arnold Rothstein) at a Pain Quotidien near his apartment on Manhattan's Upper West Side, he was most animated when he accessed a character, their emotions flickering across his face. Suddenly I was looking into the pained, sad eyes of Edward G. Robinson in "Trumbo" or anxious Andy Herzfeld in "Steve Jobs." In a crazily competitive year for supporting actors seeking award recognition (many of them leads, to my mind), I hope voters will remember Stuhlbarg. As the great Warner Bros. star ("Little Caesar," "Double Indemnity") in Jay Roach's "Trumbo" over several decades, we see his tragic role in the Hollywood blacklist. It's where the emotion is in the film. That's why theater star Stuhlbarg is a go-to actor beloved by.
See full article at Thompson on Hollywood »

Film Review: Great Cranston Performance in Hard-Hitting Political Drama About Blacklisted Screenwriter

'Trumbo' movie: Bryan Cranston as screenwriter Dalton Trumbo and Helen Mirren as gossip columnist Hedda Hopper. 'Trumbo' movie review: Highly entertaining 'history lesson' Full disclosure: on the wall in my study hangs a poster – the iconic photograph of blacklisted Hollywood screenwriter Dalton Trumbo, with black-horned rim glasses, handlebar mustache, a smoke dangling from the end of a dramatic cigarette holder. He's sitting – stark naked – in a tub surrounded by his particular writing apparatus. He's looking directly into the camera of the photographer, his daughter Mitzi. Dalton Trumbo's son, Christopher Trumbo, gave me the poster after my interview with him for the release of Peter Askin's 2007 documentary also titled Trumbo. That film combines archival footage, including family movies and photographs, with performances of the senior Trumbo's letters to his family during their many years of turmoil before and through the blacklist, including his time in prison. The letters are read by,
See full article at Alt Film Guide »

Black Caesar | Blu-ray Review

Cult director Larry Cohen’s sophomore feature, Black Caesar gets a Blu-ray treatment courtesy of Olive Films. One of two bona fide Blaxploitation efforts Cohen made with Fred Williamson before lurching into the upper echelon of cult genre with his notable guerilla techniques, this basic reworking of 1930s gangster films, (borrowing from items such as Mervyn LeRoy’s iconic presentation of Edward G. Robinson in Little Caesar) displays a bit more integrity in its characterizations than many of these exploitation efforts lack. Reworking a familiar bildungsroman trajectory, Cohen positions his protagonist as an opportunistic product of his environment, leaving us with a moral uncertainty as his hero is completely consumed, an inevitable result of continued sustenance from the gutter. By today’s standards, it’s incredibly problematic rendering of urban certainties has the tendency to repulse, and yet Cohen instills Williamson with a bit of presence and dignity often lacking
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From Robinson's Toyboy to Intrepid Drug Smuggler: Fairbanks Jr on TCM

Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.
See full article at Alt Film Guide »

The Long Good Friday/Mona Lisa review – captivating visions of London’s underworld

(John Mackenzie, 1980/Neil Jordan, 1986; Arrow DVD/Blu-ray, 18)

Bob Hoskins became an actor by accident when he accompanied a friend to an audition at London’s leftwing Unity theatre in 1969, and achieved TV stardom as the doomed travelling salesman in Dennis Potter’s Pennies From Heaven. In 1980, he became an international star in Scottish director John Mackenzie’s The Long Good Friday, his first major screen role, as the East End gangster Harold Shand who dreams of transforming his minor criminal empire into a legitimate enterprise by rejuvenating London’s decaying docklands and playing host to the 1988 Olympics. Hoskins’s Shand was compared favourably with Edward G Robinson’s seminal Little Caesar of 1931.

Related: Bob Hoskins: a career in pictures

Continue reading...
See full article at The Guardian - Film News »

Stephen Colbert Joins Your Lunch Break With New Web Series

Stephen Colbert is still more than a month away from returning to TV, but in the interstitial period between his departure from The Colbert Report and his September 8th premiere on The Late Show, he has turned to YouTube, where he is building up a significant presence. Six weeks after releasing his first YouTube video, Colbert has shared the first episode of a new web series. He has a tête-à-tête with his viewers in Lunch With Stephen, which will premiere new episodes throughout the week on July 20th.

At the beginning of Lunch With Stephen, Colbert explains that his new web series will cater to the growing number of workers who eat lunch (and watch YouTube videos) at their desks. While you munch on your salad or sandwich, Stephen stares back at you, a baby back rib in his hand, and chats you up during your midday break. Lunch With Stephen has a very loose,
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A Moon In The Water conversation with Gay Talese, part 2 by Anne-Katrin Titze

Christian Dior and Coco Chanel calligraphy dresses with a clip from Zhang Yimou's Hero edited by Wong Kar Wai Photo: Anne-Katrin Titze

With the John Singer Sargent exhibition, Sargent: Portraits of Artists and Friends, organised by the National Portrait Gallery, London in collaboration with The Metropolitan Museum of Art opening today, here is the second half of my conversation with Gay Talese on the seduction of fashion and film at China: Through The Looking Glass.

Myrna Loy, Anna May Wong, Callot Soers, Maggie Cheung, Tony Leung, Mila Parély in Jean Renoir's The Rules Of The Game, Edward G. Robinson in Little Caesar, Cesar Romero, Tyrone Power, Vincente Minnelli's Meet Me in St. Louis plus Ziegfeld Follies, Fred Astaire and the Duke of Windsor were conjured up. Gay told me about meeting Gene Kelly, Marcello Mastroianni and Federico Fellini during La Dolce Vita and we discussed tailoring while strolling
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We Tried Pizza Hut's New Hot Dog Bites Pizza and It Tasted Like Pure Freedom

We Tried Pizza Hut's New Hot Dog Bites Pizza and It Tasted Like Pure Freedom
"Look, if you had, one shot, or one opportunity to seize everything you ever wanted in one moment…Would you capture it, or just let it slip?" Eminem's lyrics to "Lose Yourself" speak to us so profoundly right now, because we got the one shot, the one opportunity to taste test Pizza Hut's brand new Hot Dog Bites pizza, and we did not let it slip. Nay, we captured it. Last week, Pizza Hut announced that they had created a brand new concoction that made Little Caesar's bacon-wrapped pizza look like a gluten-free veggie wrap. For just $11.99 you get a large, one-topping pizza that comes with 28 hot dog bites wrapped around the crust. We called it "the most American pizza...
See full article at E! Online »
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