Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ... See full summary »
Anthology movie about three owners of a yellow Rolls-Royce. A British diplomat buys the car for his French wife. A mobster's girlfriend has an affair in Italy. An American woman drives a Yugoslavian partisan to Ljubljana on the eve of the Nazi invasion.
Anne Brooks is being blackmailed by her old dancing partner Maurice. They married when she was young but broke up after which he said he was getting a quickie divorce. Anne married the much... See full summary »
The film begins with Magnolia, daughter of Captain Andy Hawks and his domineering wife Parthy, enjoying her childhood aboard her father's show boat. Parthy, irritated over the supposed influence of leading lady Julie (Magnolia's idol and best friend) fires her, despite her husband's objections. Many years later, Magnolia is a young woman and becomes a leading lady. Her leading man is Gaylord Ravenal, a riverboat gambler with whom she falls in love and elopes. But the sudden and unexpected death of Captain Andy forces the couple to leave the boat and move to Chicago rather than endure the disapproving Parthy, and Ravenal's gambling luck soon runs out. Then, Parthy announces she's coming to visit.Written by
Albert Sanchez Moreno
The prologue gives modern audiences a rare chance to see white actress Tess Gardella play Queenie, the African-American cook, in blackface. Although frowned upon by today's standards, it is nevertheless a fascinating curio from a different era. See more »
The first Show Boat performance depicted happens at night. But when Captain Andy rushes Julie Dozier along the deck to get on stage, they are in bright sunlight. See more »
You an' me,/ We sweat and strain,/ Body all achin' and wracked with pain!/ "Tote dat barge!/ Lift dat bale!"/ Git a little drunk,/ And yuh lands in jail!/ Ah gits weary/ An' sick o' tryin',/ Ah'm tired o' livin',/ An' scared o' dyin', / But Ol' Man River,/ He jes' keeps rollin' along!
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All performers in the prologue are identified verbally. See more »
On the version shown on Turner Classic Movies, the "The End" credit has a small M-G-M logo at the right-hand bottom of the frame rather than the Universal Pictures logo. See more »
Edna Ferber did not write "Showboat" as a musical, but as a novel, and this 1929 silent-early talkie version fleshes out the story of a complicated marriage and makes it completely believable. It is certainly not dated, especially with the number of people today who are addicted to gambling, and it stands on its own two feet without the Jerome Kern score. I was pleasantly surprised, and enjoyed TCM's broadcast completely.
Favorite scenes: when little Magnolia is torn from Julie (Alma Rubens, who would be dead from heroin addiction only two years later) by her jealous mother (Emily Fitzroy, with her customary severe hairknot appearance), when Gay and Magnolia first meet on the Showboat (how beautiful those close-ups were!), and the ending, when the elderly Gay falls at Magnolia's feet and the forlorn Lonesome Road is sung in the background. The last scene in particular seemed other-worldly to me, and that was because of the performances of both Laura La Plante and Joseph Schildkraut, which were so solid and touching.
Especially compared to the later musical versions, which glossed over some of the more difficult aspects of Gay and Magnolia's marriage, 1929's "Showboat" has the courage to show the seedier aspects of the downward turn in their relationship due to gambling. The Grayson-Keel musical has their child being born after Gay leaves, with Magnolia never informing Gay she was pregnant. But in the 1929 version Gay is shown to basically abandon both wife and young child, instead of living up to his responsibilities to get a real job to provide for them. We should have less sympathy for such a man, but somehow, we understand and forgive.
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