Japanese filmmaker Hirokazu Kore-eda has been a guest at many international film festivals, but 2018 might go down as perhaps the most successful of his career. His 13th feature film “Shoplifters” has received not only the Palme d’Or at the 2018 Cannes Film Festival, but as the year reached its end, it was found in many top-ten lists, from critics to general film fans alike. Even though the definition of the family unit with regards to outside factors such as poverty has been at the heart of Kore-eda’s body of work, “Shoplifters” has struck a chrod with many viewers.
But for its director the inspiration came while working on another film. During the production of “Like Father Like Son” (2013), he began to think about what actually makes a family. The film, which is about two families finding out their sons have been