Kodachrome | Review

Picture This: Raso’s Estranged Road Movie Wrecks At The Starting Gun

Coming across like a thin coat of bright paint over dated decorative wallpaper sans originality, Mark Raso has outwardly attempted a love letter to analog photography, utilizing a remarkable cast and a wide array of scenic locations to do so. However (in actuality), Kodachrome is a succession of gimmicky plot lines so exhaustingly predictable that only a paltry few micro-moment snapshots of enjoyment actually bleed through.

Inspired by the 2010 New York Times article by A.G. Sulzberger, “For Kodachrome Fans, Road Ends at Photo Lab in Kansas”, the film…
See full article at IONCINEMA.com »

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