For my money, Hélène Cattet
and Bruno Forzani
are two of the best genre directors working today. Their two feature-length gialli, Amer
(2009) and The Strange Color of Your Body’s Tears (2014) are among the greatest "throwback" films of all-time, taking the vocabulary and iconography of the giallo and twisting it into something new and exciting, all while playing with the cinematic form with a barrage of close-ups, split screens, and Chris Marker
-esque jump-cut slideshows. The only downside is that, as of the time of this writing, only the aforementioned gialli are available for viewing, while their latest film, Let the Corpses Tan, won’t be released stateside until this summer. So what’s a fan of hyper-stylized neo-gialli to do? Why, turn to their shorts, of course!
Like many filmmakers, Cattet and Forzani honed the aesthetic they’d use in their later films through their early shorts. Unlike all filmmakers,