Once Upon A Time: Alessandro Comodin Discusses "Happy Times Will Come Soon"

  • MUBI
The woods hold an unmistakable allure, familiar yet unknown, idyllic, yet fraught with peril. They are the heart of Happy Times Will Come, shot in natural light, which often means that viewers are abandoned in darkness to develop our senses. Indeed, the film thrusts us into the stark indigo night where a pair of fugitives scurrying up a steep hill are long heard before they are seen. Once the sun peeks out, dappling everything in its midst to beguiling effect, it’s not difficult to acclimate to the sights–the crooked crags aside a crisp brook or a verdant curtain of trees. Meanwhile, the young men, peculiarly unplaceable in time, forage for mushrooms or tussle in the high grass. Combining personal history and fabricated folklore, Italian director Alessandro Comodin imbues the alpine setting, already easy on the eyes, with a spectral glow and timelessness. The effect extends to a brief interlude of talking head interviews,
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