Eva Dahlbeck - News Poster


Trailer and Line-Up for Ingmar Bergman Centennial Retrospective Celebrates a Master

On July 14, 1918 in Uppsala, Sweden, Ingmar Bergman was born, and a quarter-century later, he began to bring his cinematic voice to the world. A century after his brith, with an astounding body of work like few other directors and an influence that reverberates through the past many decades of filmmaking, his filmography is being celebrated like never before.

Starting this February at NYC’s Film Forum and then expanding throughout the nation “the largest jubilee of a single filmmaker” will be underway in a massive, 47-film retrospective. Featuring 35 new restorations, including The Seventh Seal, Wild Strawberries, Scenes from a Marriage, Fanny and Alexander, and many, many more, Janus Films has now debuted a beautiful trailer alongside the full line-up of films.

The Ingmar Bergman retrospective begins on February 7 at NYC’s Film Forum and then will expand to the following cities this spring:

Seattle Art Museum, Seattle Wa

Detroit Film Theatre,
See full article at The Film Stage »

Review: Bergman's "Cries And Whispers", Criterion Blu-ray Special Edition

  • CinemaRetro
“Cries And Sisters”

By Raymond Benson

One of the late, great Ingmar Bergman’s skills as a filmmaker was to write and direct memorable roles for women. He was one of the few directors, such as Ford or Altman or Allen, who repeatedly relied on a “stock company” of actors throughout his career. While there were many wonderful male actors who worked for Bergman (Max von Sydow, Erland Josephson, Gunnar Björnstrand), we generally remember the women—Liv Ullmann, Harriet Andersson, Ingrid Thulin, Eva Dahlbeck, Bibi Andersson, among many—for baring their souls on screen in Bergman’s challenging, difficult works that always elevated the art of film to breathtaking levels.

Cries and Whispers is an excellent example of the power of the female actor. It’s essentially a four-woman chamber piece, taking place in the late 1800s in Sweden, about three sisters and a servant, their relationships to each other,
See full article at CinemaRetro »

Gabriel Axel

Oscar-winning Danish director of Babette's Feast

In April 1988, a week before his 70th birthday, the film director Gabriel Axel, who has died aged 95, walked up on stage at the Academy Awards ceremony in Los Angeles to receive the best foreign language film Oscar for Babette's Feast (1987), the first Danish movie to achieve that honour. In a mixture of Danish and French, the slim, grey-bearded, bespectacled Axel quoted a line from the character of the General in the film: "Because of this evening, I have learned, my dear, that in this beautiful world of ours, all things are possible."

It was the pinnacle of Axel's long career and marked the beginning of a resurgence of Danish cinema. (Another Danish film, Bille August's Pelle the Conqueror, won the foreign language Oscar the following year.) Despite several fine films, there was previously little in Axel's oeuvre to predict the perfection of Babette's Feast.
See full article at The Guardian - Film News »

Acclaimed Cinematographer Gunnar Fischer Passes Away At 100

Sad news tonight folks. Longtime Ingmar Bergman collaborator, Gunnar Fischer, has passed away earlier today at the ripe old age of 100. I just saw the Masters Of Cinema twitter feed posting a link to this Swedish web site (HD.se), announcing that he had died earlier today in Sweden.

From the translated story:

Gunnar Fischer out of time

The photographer and film director Gunnar Fischer died on Saturday, 100 years old.

Stockholm. He worked closely with Ingmar Bergman in the 50′s in classic films such as Summer with Monika, The Seventh Seal, Wild Strawberries and The Magician.

- He passed away in the afternoon. This fall, he would have turned 101 years, says his son and cinematographer Jens Fischer said.

Gunnar Fischer was employed by the Swedish Film Industry 1935-1970 and the 1970-75 Svt.

Fischer‘s cinematography is well represented in the Criterion Collection. You can find him working with Bergman early
See full article at CriterionCast »

Blu-ray Review: Ingmar Bergman's 'Smiles of a Summer Night' (Criterion Collection)

I'm a big Ingmar Bergman fan and for that reason alone I enjoyed Smiles of a Summer Night. With some directors you just feel a connection, you get their jokes, you share similar wonders and question the same things. I love his approach to religion and questions of mortality. However, this film doesn't really deal with much of that at all, which is probably the reason I merely liked it and wouldn't necessarily suggest it as a must buy. Though, for Bergman fans, it's certainly one to add to your collection.

While described as "one of cinema's great erotic comedies" by Criterion, that's a bit misleading, especially for today's audiences. Perhaps it would be more properly worded as "quietly" erotic and "subtly" funny. You won't be laughing out loud, at least not very often, and while Harriet Andersson (Through a Glass Darkly), Eva Dahlbeck and even the pregnant (but hiding
See full article at Rope Of Silicon »

Godard and Pudovkin, DVDs

This Sunday, David Phelps and John MacKay, Professor of Slavic Languages and Literatures and Chair of Film Studies at Yale, will be presenting a double feature followed by a discussion at UnionDocs in Brooklyn. I cede the floor to David:

Two unsung masterworks: Jean-Luc Godard's Kids Play Russia (1993) is a personal history of Soviet montage, and Vsevolod Pudovkin's Storm Over Asia (1927) is one of its great exemplars. In both, against the voice of a lone renegade, the West invades the East to capture it — that is, in images of its stereotypes. Sight makes might? In these spectacular assaults on spectacle, Pudovkin stresses the imperialists' lives led "for appearance sake," and Godard argues that Western cinema will only see things by its code. And yet both, shooting documentaries in "the land of fiction" and editing them as dramas, redeem fiction as a possible, documentary reality; Godard starts seeing echoes
See full article at MUBI »

Smiles Of A Summer Night Criterion Blu-ray Review

When looking at the careers of legendary directors, writers and actors in retrospect, it can be interesting to analyze just what path they took before reaching greatness. Today, Ingmar Bergman is internationally known as one of the great auteurs of all time. But while he was already an established director for nine years in his native Sweden, it was not until his fifteenth film as director that Bergman achieved international acclaim in 1955. That film was Smiles of a Summer Night. Hit the jump for my review. Smiles of a Summer Night introduced viewers to the comic side of Bergman in a tale of four men and four women trying to find their true love in a mix of complex interconnected relationships. Fredrik Egerman (Gunnar Björnstrand) is an older lawyer married to a teenaged wife, Anne (Ulla Jacobsson) with whom he has never consummated. In his younger days Fredrik had an
See full article at Collider.com »

New this Week: ‘Thor’ and ‘The Dilemma (DVD)’

Hitting movie theaters this weekend:

Jumping the BroomPaula Patton, Laz Alonso, Angela Bassett

Something BorrowedGinnifer Goodwin, Kate Hudson, Colin Egglesfield

Thor – Chris Hemsworth, Anthony Hopkins, Natalie Portman

Movie of the Week


The Stars: Chris Hemsworth, Anthony Hopkins, Natalie Portman

The Plot: The powerful but arrogant warrior Thor (Hemsworth) is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth.

The Buzz: When I first heard about this film there was no accompanying metaphorical rumble of thunder. As a matter of fact, I instead grumbled at Marvel’s blunder — a film about Thor? He’s got to be one of the least popular Marvel Comics heroes out there. He’s not even a super hero, he’s the god of thunder, and his books are some of the most boring that Marvel has ever published. What was Marvel thinking? I just couldn
See full article at Scorecard Review »

Per Oscarsson obituary

Swedish actor best known for the 1966 film Hunger

Per Oscarsson, who has died aged 83, was perhaps the only leading Swedish actor who never worked with Ingmar Bergman. This might have been by accident rather than design, although Oscarsson was known for his manic performances, whereas Bergman's men were usually placid. In other words, Oscarsson was more Klaus Kinski than Max Von Sydow.

Oscarsson's most memorable role was in Sult (Hunger, 1966) as Pontus, a bespectacled, penniless and starving young writer in Norway at the end of the 19th century. His complex, agonisingly convincing portrait of a man, ravaged by hunger, whose mind is on the verge of disintegration, split between moments of lucidity and despair, won Oscarsson the best actor award at Cannes and worldwide acclaim.

Hunger was the first all-Scandinavian co-production. Shot in Oslo, it was based on the famous psychological novel by the Norwegian author Knut Hamsun, with a
See full article at The Guardian - Film News »

Send in the (Green) Clowns

I'm off to a slow start this morning. Sometimes it can't be helped. Enjoy this first photo of Ryan Reynolds as Green Lantern while I hook up my coffee IV, finish Oscar page revisions, and write about Inception... all while humming Sondheim's brilliant A Little Night Music score. What a mashup that will be.

Btw, loved the Broadway show last night. Bernadette Peters and Elaine Stritch are theater legends for a reason. Peters was exceptionally moving during "Send in the Clowns" -- I've never heard a Broadway audience go that quiet, basking in every nuance of that spectacular inimitable voice of hers -- and very funny hamming up the comedic portions of the show. There's this line in the second act about watching the summer sky smile, where Elaine Stritch says "That smile was particularly broad tonight." That line reading just killed. It felt like an affectionate elbow to the cast surrounding her that evening.
See full article at FilmExperience »

TCM Remembers 2008, or How the Oscars Should Learn to Do an “In Memoriam” Segment

In the 2008 TCM Remembers clip above, you’ll find a collection of film personalities, from Ingmar Bergman star Eva Dahlbeck to JawsRoy Scheider, from Rear Window screenwriter John Michael Hayes to Il Sorpasso director Dino Risi, from silent film actress Anita Page (seen with Joan Crawford) to Black OrpheusBreno Mello and Marpessa Dawn, from Oscar winner Paul Scofield to schlock goddess Vampira. I dare you not to get choked up even if you don’t recognize most of them.
See full article at Alt Film Guide »

R.I.P. 2008: A Rough Year For Hollywood

For me, the only part of the Oscars worth watching every year is their tribute video, highlighting those in the movie industry that passed away in the previous year. It always puts a lump in my throat and often surprises me due to the passing of people I hadn’t heard about. And with the actors who were popular decades ago, it gives me a sense of melancholy nostalgia.

TCM (Turner Classic Movies) has put together their version of a tribute video which you can watch below, and it gave me the same feelings I just mentioned (I wasn’t aware they do one every year). It’s a beautiful video and very classy. They did miss a couple of people which I mention below.

I would suggest you watch the video before moving on to the list of names below it. It includes actors, directors, composers, screenwriters, animators, etc.
See full article at Screen Rant »

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