Colin Clive - News Poster


Boris Karloff in Frankenstein Screening at Webster University This Thursday – ‘Grave Tales’

“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, It’S Alive!”

The ‘Grave Tales’ Horror film series continues at Webster University Thursday January 31st with a screening of the groundbreaking horror classic Frankenstein (1931) starring Boris Karloff. The screening will be at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30. A Facebook invite for the event can be found Here. Look for more coverage of the ‘Grave Tales’ Horror film series here at We Are Movie Geeks in the coming weeks.

Dr. Henry Frankenstein, played by Colin Clive, and his assistant Fritz, portrayed by Dwight Frye, stalk the graveyards at night. They dig up the fresh corpses of the recently deceased in order to fulfill a mad scientist’s dream. They seek to give life to a dead,
See full article at »

Long Strange Trip and the Polyrhythmic Alchemy of The Grateful Dead

Tony Sokol Nov 21, 2018

The Grateful Dead documentary Long Strange Trip is the band's memento mori.

Death is fun. As long as we remember nothing about us will be remembered in the eternity. Death is also very accommodating, if we don't stop for it, it stops for us. It's an immortal uber driver that doesn't care about a rating because there is only one destination. Long Strange Trip, the Grateful Dead documentary that first arrived on Amazon Prime and is now available on Blu-ray, rides shotgun with death on the tour bus. Casey Jones hasn't even glanced at the speedometer.

The Grateful Dead wasn't just a band, it was a family. Some deaths weren't fun, and there is little gratitude for taking away key players. Pigpen McKernan died in 1973 at the age of 27, Brent Mydland's gruesome death, and Garcia’s death from a heart attack at age 53 in 1995. Long Strange Trip,
See full article at Den of Geek »

Leave the Lights On, to Ease Your Soul: Hammer Horror at the Quad

Hammer Film Productions ran itself on a loose set of commandments that had to be followed in all of their horror pictures. They obviously made more than that, often combing the fertile grounds of science fiction, sword-and-sandal affairs, and even the rare bank robbery, but their legacy is horror, and in those films you were going to see certain things. You could expect Peter Cushing or Christopher Lee (maybe both) duking it out in suave Gothic mansions or the quaint decor of a vampire’s crypt. You were going to see blood, sometimes lots of it, and women were going to wear beautiful, low-cut dresses that mostly existed to sing the praises of God-given cleavage. These were B-pictures, often trashy and always pulp, but behind the camera and in the heart of these movies is the single greatest output of house-style scares this side of Val Lewton’s cabal of
See full article at The Film Stage »

Frankenstein Double Feature: Bride Of Frankenstein and Young Frankenstein Oct. 20th at Washington University

“We belong…Dead!”

Please join Washington University’s Film and Media Studies and the Center for the Humanities as they celebrate the 200th anniversary of Mary Shelley’s Frankenstein with a free screening of Bride of Frankenstein (1935) and Young Frankenstein (1974). The event takes place at Brown Hall, Room 100, Washington University in St. Louis Friday October 20th, 2017 at 7.00 pm. This is a Free event and there will be free popcorn and soda there as well.

Two hundred years have passed since Mary Shelley, the British novelist and dramatist, published her novel Frankenstein. Since that moment, her creation has not only caused a big impact in the literary world, but also in cinema, an art that was not even alive when the monster was born. In celebration of Frankenstein’s upcoming birthday, Film and Media Studies and the Center for the Humanities at Washington University in St. Louis is organizing a free
See full article at »





1985 / 1:85 / Street Date August 8, 2017

Starring: Jeffrey Combs, Barbara Crampton

Cinematography: Mac Ahlberg

Film Editor: Lee Percy

Written by Stuart Gordon, Dennis Paoli, William Norris

Produced by Brian Yuzna

Music: Richard Band

Directed by Stuart Gordon

Released in 1985, Stuart Gordon’s Re-Animator remains the grandest of Grand Guignols, a viscerally entertaining comedy that is just grindhouse enough for fans of Blood Feast and arthouse enough for connoisseurs of Francis Bacon’s more grisly canvases.

Originally scripted for Chicago’s Organic Theater Company by Gordon and co-writers Dennis Paoli and William Norris, Re-Animator was based on H. P. Lovecraft’s short story, Herbert West – Re-Animator, first published in 1922. Set in the blandly generic college town of Arkham, Massachusetts, the action revolves in and around the classrooms of stately Miskatonic University’s medical school and the sterilized atmosphere of the academy’s dank morgue evoked so well by Mac Ahlberg’s lush cinematography.
See full article at Trailers from Hell »

1 of the Greatest Actors of the Studio Era Has His TCM Month

1 of the Greatest Actors of the Studio Era Has His TCM Month
Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps
See full article at Alt Film Guide »

Lgbt Pride Month: TCM Showcases Gay and Lesbian Actors and Directors

Considering everything that's been happening on the planet in the last several months, you'd have thought we're already in November or December – of 2117. But no. It's only June. 2017. And in some parts of the world, that's the month of brides, fathers, graduates, gays, and climate change denial. Beginning this evening, Thursday, June 1, Turner Classic Movies will be focusing on one of these June groups: Lgbt people, specifically those in the American film industry. Following the presentation of about 10 movies featuring Frank Morgan, who would have turned 127 years old today, TCM will set its cinematic sights on the likes of William Haines, James Whale, George Cukor, Mitchell Leisen, Dorothy Arzner, Patsy Kelly, and Ramon Novarro. In addition to, whether or not intentionally, Claudette Colbert, Colin Clive, Katharine Hepburn, Douglass Montgomery (a.k.a. Kent Douglass), Marjorie Main, and Billie Burke, among others. But this is ridiculous! Why should TCM present a
See full article at Alt Film Guide »

Dracula & The Mummy: Complete Legacy Collections

The 2016 blu ray release of the Frankenstein and Wolf Man Legacy Collections was a moment of celebration for movie and monster lovers everywhere, bringing together all the golden age appearances of Frankenstein’s misbegotten creation and Larry Talbot’s hairy alter-ego. Universal Studios treated those dusty creature features to luminous restorations; from Bride of Frankenstein to She Wolf of London, these essential artifacts never looked less than impeccable and, at times, even ravishing. Colin Clive’s frenzied declaration, “It’s Alive!”, never felt more appropriate.

Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.

Dracula: Complete Legacy Collection


Universal Studios Home Entertainment

1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017

Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello

Cinematography: Karl Freund,
See full article at Trailers from Hell »

A Halloween Electric Dreamhouse

Yesterday, amid a crush of sweaty people desperate for last-minute props, I visited a local Halloween superstore with my daughter, looking for a Pikachu mask. Well, there wasn’t much to choose from in the Cute Kid Division. But this particular hall of Halloween hell definitely had the adult sensibility covered. Of course there were the usual skimpy or otherwise outrageous costumes for purchase —ladies, you can dress up like a sexy Kim Kardashian-esque vampire out for a night of Hollywood clubbing, and gents, how about impressing all the sexy Kim Kardashian vampires at your party by dressing up like a walking, talking matched set of cock and balls! It’s been a while since I’ve shopped for fake tools of terror, but it seems there’s been a real advance in sophistication in the market for “Leatherface-approved” (I swear) chainsaws with moving parts and authentic revving noises,
See full article at Trailers from Hell »

Review: Victor Frankenstein

  • Comicmix
You have to give credit to Dwight Frye, the underappreciated character actor who created the role of the hunchback Fritz, who aided Colin Clive’s Victor Frankenstein in the 1931 Universal adaptation of Mary Shelley’s classic novel. In further Universal installments, the assistant was renamed Ygor and Frye was replaced with Bela Lugosi – but it is Frye’s portrayal that gave the world the stock character forever known to all as Igor.

In the re-envisioned world portrayed in Victor Frankenstein (James McAvoy), Igor is given an upgrade from simple lab assistant to brilliant physician and Frye has morphed into Daniel Radcliffe. Young Victor is actually still in med school as we meet out characters and it is Igor who proves to the brains behind the, ahem, operation.

Max Landis uses both Shelley’s novel and the Universal series of films as guideposts but charts a fresh, if not wholly original tale.
See full article at Comicmix »

Looking Back on the Long Film History of Frankenstein

  • Cinelinx
The Frankenstein Monster is arguably the greatest monster in all fiction. There have been a few genuinely excellent films made about him, but all too many of them are pretty bad. While the latest attempt in Victor Frankenstein falls flat, Cinelinx looks at the film history of Frankenstein to see which of them worked and which of them didn’t.

The Frankenstein Monster was the invention of 18 year old Mary Shelly (wife of poet Percy Shelly) who was vacationing in Switzerland with her husband, their close friend Lord Byron and John Polidori. Incessant rain left them housebound and reading ghost stories to each other. This led to a challenge from Byron, daring them all to create the scariest story ever told. Mary Shelly seemed outclassed by her literary companions until she heard legends of a crazy scientist named Conrad Dipple who performed illegal experiments using parts of dead bodies and electricity.
See full article at Cinelinx »

Victor Frankenstein – The Review

By Cate Marquis

James McAvoy and Daniel Radcliffe star in Victor Frankenstein, a kind of origin story/re-imagining of classic monster story told from Igor’s point-of-view.

Medical student Victor Frankenstein (McAvoy) is visiting a circus in Victorian London in search of animal body parts for his secret experiments, when a beautiful trapeze artist (Jessica Brown Findley) falls from her perch. The doctor rushes to assist but she is already being aided by the circus’ self-taught doctor, a hunch-back clown (Radcliffe). Impressed by the nameless clown’s skill and knowledge of anatomy, Frankenstein helps him escape the circus and takes him back to his laboratory, where he treats his physical problems. Given the name of Victor’s missing roommate, Igor Straussman, Frankenstein offers him friendship, a place to stay, an extensive library and a chance to help in his effort to create life.

The film is a mash-up of Mary Shelley’s 1818 novel,
See full article at »

Today is Boris Karloff’s Birthday – Here Are His Ten Best Films

Article by Jim Batts, Dana Jung, and Tom Stockman

No other actor in the long history of horror has been so closely identified with the genre as Boris Karloff, yet he was as famous for his gentle heart and kindness as he was for his screen persona. William Henry Pratt was born on November 23, 1887, in Camberwell, London, England. He studied at London University in anticipation of a diplomatic career; however, he moved to Canada in 1909 and joined a theater company where he was bit by the acting bug. It was there that he adopted the stage name of “Boris Karloff.” He toured back and forth across the USA for over ten years in a variety of low-budget Theater shows and eventually ended up in Hollywood. Needing cash to support himself, Karloff landed roles in silent films making his on-screen debut in Chapter 2 of the 1919 serial The Masked Rider. His big
See full article at »

Cummings Pt.2: Working with Capra and West, Fighting Columbia in Court

Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round
See full article at Alt Film Guide »

200 Greatest Horror Films (20-11)

20. The Innocents

Directed by Jack Clayton

Written by William Archibald and Truman Capote

UK, 1961

Genre: Hauntings

The Innocents, which was co-written by Truman Capote, is the first of many screen adaptations of The Turn of the Screw. If you’ve never heard of it, don’t feel bad because most people haven’t – but The Innocents deserves its rightful spot on any list of great horror films. Here is one of the few films where the ghost story takes place mostly in daylight, and the lush photography, which earned cinematographer Freddie Francis one of his two Oscar wins, is simply stunning. Meanwhile, director Jack Clayton and Francis made great use of long, steady shots, which suggest corruption is lurking everywhere inside the grand estate. The Innocents also features three amazing performances; the first two come courtesy of child actors Pamela Franklin (The Legend of Hell House), and Martin Stephens (Village of the Damned
See full article at SoundOnSight »

The Daughter of Frankenstein’s Monster Will Be Among Us for Halloween!

The Daughter of Frankenstein’s Monster Will Be Among Us for Halloween!

A double feature of two Universal classics will be upon Los Angeles on Mischief Night. James Whale’s 1935 film The Bride of Frankenstein, the sequel to the 1931 film Frankenstein which he also directed, stars Boris Karloff, Colin Clive and Elsa Lanchester and will be shown at the Ahrya Fine Arts Theater. The highly-lauded follow-up ...

Hnn | - Official News Site
See full article at Horror News »

Have Jurassic Dinosaurs Truly Kicked Marvel Superheroes Butt at Worldwide Box Office?

'Jurassic World' velociraptor kicks Iron Man ass at worldwide box office. 'Jurassic World' officially surpasses 'The Avengers' at worldwide box office Directed by Colin Trevorrow; starring Chris Pratt, Bryce Dallas Howard, and Vincent D'Onofrio; and co-executive-produced by Steven Spielberg, Jurassic World has officially become the third biggest worldwide box office hit in history. The Jurassic Park sequel – or reboot, as it's basically the same story with a slightly different twist – has surpassed Marvel's Joss Whedon-directed all-star superhero flick The Avengers, which broke box office records back in 2012. Of course, "officially" just ain't what it used to be – like, in the days before The Fall. So you wisely ask, "But which movie has actually sold the most tickets?" After all, that's the true measure of a film's popularity. Well, that's a tough one to answer without the studios providing accurate, precise numbers. And that's not about to happen. It always
See full article at Alt Film Guide »

2015 Stanley Film Festival Lineup Includes The Final Girls, Deathgasm, Stung, The Invitation

Earlier this week, we gave you details on first wave of special experiences and events taking place at the 2015 Stanley Film Festival. We now have details on their impressive slate of features, short films, and additional special events, including screenings of The Final Girls, Deathgasm, Stung, The Invitation, and We Are Still Here.

We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.

"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,
See full article at DailyDead »

Son of Frankenstein: Hitting the Horror Trifecta

Don Kaye Jan 13, 2019

Universal's Son of Frankenstein capped off the first great movie trilogy.

On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.

And yet Son of Frankenstein is not only a worthy successor to the first two films,
See full article at Den of Geek »

Three 1930s Capra Classics Tonight: TCM's Jean Arthur Mini-Festival

Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra
See full article at Alt Film Guide »
An error has occured. Please try again.

See also

Credited With |  External Sites

Recently Viewed