‘The Grinch’ Blu-ray Review

  • Nerdly
Features the voices of: Benedict Cumberbatch, Cameron Seely, Rashida Jones, Pharrell Williams, Tristan O’Hare, Kenan Thompson, Angela Lansbury | Written by Michael LeSieur, Tommy Swerdlow | Directed by Yarrow Cheney, Scott Mosier

The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit. Funny, heartwarming, and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism. Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company. With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Whoville when he runs out of food. Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger,
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Exclusive Interview – Director Yarrow Cheney talks The Grinch, 3D Animation, and Mummies Alive!

Red Stewart chats with The Grinch co-director Yarrow Cheney

Yarrow Cheney is an American animator who has been working in the film and television industries since the mid-90s. He is best known for his contributions to projects like The Maxx, Treasure Planet, and Despicable Me, as well as co-directing the Illumination movies The Secret Life of Pets and The Grinch.

Mr. Cheney, thank for taking the time to speak with me sir.

Oh, it’s a complete pleasure.

I have to ask, you’ve been working in the animation industry since the 1990s, and you’ve seen, firsthand, the transition from 2D to 3D animation. I’m wondering, to animators like yourself, in retrospect was that change something that was obviously going to happen? That the industry was going to switch to 3D?

You know, it’s interesting. I went through school, majoring in animation at the CalArts, and
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Here’s Why Benedict Cumberbatch Was The First Choice To Voice The Grinch

A major hit over the recent holiday season was Illumination’s animated adaptation of Dr. Seuss’ How The Grinch Stole Christmas. The movie from the studio most known for its Despicable Me franchise was a major success as its $500+ million managed to finally knock Home Alone off the top spot to be proclaimed as the highest-grossing Christmas movie of all-time. The Grinch‘s charming, funny festive tale was probably the main draw, but it can’t have hurt that it had a big name as its lead voice in the form of the one and only Benedict Cumberbatch.

On previous occasions, the Grinch had been played by horror icon Boris Karloff and comedy legend Jim Carrey, so clearly there’s no one type of actor who can portray the green grouch. With that in mind, why did the filmmakers go for Cumberbatch for their take on the classic children’s story?
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‘The Grinch’ Steals Across $500M At Worldwide Box Office

  • Deadline
With Tuesday’s numbers included, Illumination and Universal Pictures’ The Grinch steered the sleigh across the half-billion mark worldwide. The split is $270M domestic and $231M at the international box office for $501M global. This is the 6th title from the folks at Chris Meledandri’s animation powerhouse to reach $500M.

Domestically known as Dr. Seuss’ The Grinch, the Benedict Cumberbatch-voiced update on the Christmas classic opened No. 1 with $67.6M in November. That gave Illumination its 7th No. 1 bow with the movie going on to become the 6th highest-grossing title of 2018 and the 2nd biggest animated film of the year in North America.

Overseas, where Dr Seuss is not well-known outside the English-speaking markets and Germany, the movie was titled simply The Grinch and has remained in the Top 10 for nine consecutive weeks. It opened No. 1 in 30 territories, including the UK, France, Australia, Spain, Mexico, Norway, India, Thailand, Vietnam,
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‘Dr Seuss’ The Grinch’ Surpasses $500 Million at Worldwide Box Office

  • The Wrap
Illumination and Universal Pictures’ “Dr. Seuss’ The Grinch” has surpassed the $500 million mark at the worldwide box office, making it the sixth Illumination movie to reach the half-billion mark.

The film’s opening weekend grossed $67.7 million (Illumination’s seventh no. 1 opening) and has since grossed $270 million domestically. That makes it the sixth-highest grossing film of 2018 and the second-highest grossing animated film of the year.

The film also opened no. 1 in 30 territories that included Norway, Mongolia, Thailand, Iceland, Romania, France, Spain, Belgium, Greece and New Zealand. Internationally, the film has earned $231 million.

Also Read: 'The Grinch' Pilfers $66 Million at Box Office

Worldwide, “Dr. Seuss’ The Grinch” was the highest-grossing opening for a Christmas-themed movie and has since become the highest-grossing Christmas-themed movie ever — as well as the biggest Dr. Seuss film ever.

“Dr. Seuss’ The Grinch” featured the voice of Benedict Cumberbatch as the infamous Grinch, who lives alone in a cave on Mt.
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Xmas Review Round-Up: Christmas Chronicles / The Grinch

  • Nerdly
The Christmas Chronicles

Stars: Kurt Russell, Darby Camp, Judah Lewis, Oliver Hudson, Kimberly Williams-Paisley, Debra Wilson, Kari Wahlgren, Andrew Morgado, Debi Derryberry, Michael Yurchak, Jessica Lowe | Written by Matt Lieberman | Directed by Clay Kaytis

The story of sister and brother, Kate and Teddy Pierce, whose Christmas Eve plan to catch Santa Claus on camera turns into an unexpected journey that most kids could only dream about.

Netflix’s The Christmas Chronicles has only one factor that kept it out of the clutches of a dollar bin – the absurdly affectionate performance of Kurt Russell as Santa Claus. A role in which he revels in with humorous and lively exploits. The rest is your standard merit of a traditional direct-to-video treatment that has moments of entertainment but stagnates in saturated genre convention. Russell steals the show undoubtedly. His charisma and charm is the lifeblood of the picture. A wonderfully exuberant and joyous role is clearly on display,
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Bo Report: ‘Spider-Man’ reboot can’t catch ‘The Grinch’

Spider-Man: Into the Spider-Verse (Photo: Sony Pictures Animation).

Sony Animation’s Spider-Man reboot swung into Australian cinemas last weekend but trailed Universal/Illumination’s powerhouse The Grinch, which ruled again in its third frame.

Andre Rieu fans turned out for his concert filmed at Sydney Town Hall while Fox’s M-rated Once Upon a Deadpool had a middling start, in line with its Us debut.

Meanwhile Peter Jackson, Universal Pictures and co-financiers Media Rights Capital and Perfect World Pictures are facing a write-off of $100 million or more on Mortal Engines, which bombed in the Us.

Bruce Beresford’s Ladies in Black is winding down after 13 weeks, having generated $11.9 million for Sony.

Alfonso Cuarón’s Roma, which chronicles a turbulent year in the lives of a middle-class family in 1970s Mexico City, is having a brief run in a handful of cinemas including the Ritz, Hayden Orpheum Picture Palace Cremorne and
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Oscars: Can Anyone Break Disney & Pixar’s Animated Feature Streak In 2019?

  • Deadline
In the competitive world of feature animation, it takes more than an entertaining yarn and a bit of slapstick comedy to cut through the noise. To make an impact at the box office in 2018—and at the Oscars, heading now into its 91st go-round—filmmakers are called upon to pursue a new standard of excellence, going back to the drawing board with each new effort, and finding exciting ways to break the mold.

Leading the charge as regular contenders for Best Animated Feature since the category was created in 2001, Walt Disney Studios, and its Bay area subsidiary Pixar, once again enter the field of 25 films, with two projects that embody the category’s ideals. First, there’s Incredibles 2, Brad Bird’s return to the groundbreaking superhero world he established in 2004. Sending the Parr family off on new adventures, the film easily achieved hard-to-get hit sequel status, setting a record for best debut for an animated film—with a gross of $182.7 million in its opening weekend—on the way to becoming the second highest-grossing animated pic of all time, second only to Disney’s own Frozen, in fact.

Bowing just a few weeks ago, Ralph Breaks the Internet transcended that same sequel challenge. A follow-up to the beloved Wreck-It Ralph, this iteration from Phil Johnston and Rich Moore (the writer and director behind the Oscar-winning Zootopia) capitalizes on the boundless world the original set up, following compelling video game characters (and best friends) Ralph and Vanellope into the Internet. Impeccably designed, the film visualizes the web as it’s never been seen before, offering up thoughtful satire on the culture embedded within the information superhighway, with a timely critique of Disney princess tropes and the ideas about gender that have circulated for as long as stories have been told.

Bearing in mind that Disney-produced offerings have won the Animation Oscar in 10 out of the last 11 years—in an unprecedented stretch—competing studios are working tirelessly to up their game, in hopes of breaking the behemoth’s spell. The top candidate to do so this year would have to be Fox Searchlight, with Wes Anderson’s Isle of Dogs. The second stop-motion outing from the critically praised auteur, the film follows a Japanese boy living in the retrofuture, on a quest to find his missing dog. Lovingly crafted by hand, the film features an astonishing assortment of environments and gorgeously sculpted characters, pushing the medium of stop-motion and bending towards Anderson’s signature stylings. It opened the 68th Berlin International Film Festival, where its director was awarded the Silver Bear.

Another pillar of stop-motion—behind such classics as Chicken Run and Wallace and Gromit—Nick Park has won four Oscars to date, and looks to compete again with Aardman Animations’ Early Man. Set at the dawn of time, the comedy takes an altogether new angle on history, following a group of cavemen as they face off against the powers of the Bronze Age in a football match, with life as they know it at stake.

Four other studios are also making a run at Oscar. A major presence in the animation conversation since its inception in 2007, Illumination Entertainment is back with Dr. Seuss’ The Grinch, directed by Yarrow Cheney and first-timer Scott Mosier. The third adaptation of a classic 1957 tale by the beloved children’s author, this version sees Benedict Cumberbatch tap into the withered spirit of the iconic green curmudgeon, setting out to ruin Christmas for those poor Whos of Whoville yet again. Also featuring the voices of Rashida Jones, Kenan Thompson, Cameron Seely and Angela Lansbury—with narration by Pharrell Williams—Illumination’s film sought to pay reverential homage to Seuss’ work, while making it feel fresh, introducing the Grinch to a new generation of viewers.

From Sony Pictures Animation, Spider-Man: Into the Spider-Verse really shakes things up. A postmodern take on Spidey—and the first-ever animated film centering on Stan Lee and Steve Ditko’s iconic creation—the immersive, action-and-laugh-packed flick brings the style of vintage comic books to CG animation, playing with form, and employing meta-level self-awareness. From innovative producers Phil Lord and Christopher Miller, this Spider-Man film is the first to star Miles Morales—an Afro-Latino version of the character existing within a Marvel multiverse. The film introduces the viewer to parallel dimensions and several Spider-people, demonstrating that there’s no single definition of a superhero. Anyone can wear the mask, so long as they’re willing to stand up for what’s right.

Also on the Sony slate is Hotel Transylvania 3: Summer Vacation, the latest installment in a franchise from Genndy Tartakovsky, which takes Dracula away from the comforts of his hotel, and out onto the sea, where new characters including Van Helsing (voiced by Jim Gaffigan) emerge.

At Paramount, John Stevenson brings his skill to Sherlock Gnomes, a sequel to 2011’s Gnomeo & Juliet. It sends a band of garden gnomes out into a different genre and setting, as Sherlock Gnomes investigates the mysterious disappearance of garden ornaments in contemporary London. Executive produced by Elton John, the film even features some captivating Elton originals.

Rounding out the studio offerings this year is Warner Bros., with Smallfoot—centered on a Yeti who is convinced humans don’t exist—and Teen Titans Go! To The Movies, based on a popular television series, involving the exploits of DC superheroes.

On the international front, it can take even more craft to draw Oscar’s attention—and yet in 2018, the animation shortlist is as diverse as it’s ever been, with submissions from Mexico (Ana y Bruno), China (Have a Nice Day), and Taiwan (On Happiness Road). One of three particular stand-outs is Ruben, Brandt Collector, Sony Pictures Classics’ R-rated art and cinema pastiche from 66-year-old first-time director Milorad Krstić, who weaves a tapestry of all of the works of art that have consumed him over the years. From Gkids, Mfkz is based on a comic series of the same name and follows one of many deadbeats making his way through the violent Dark Meat City. Also on the dystopian front, Shout! Factory’s Tito and the Birds (Brazil) paints a picture of a world where fear manifests as a disease, and a villain (inspired by President Donald Trump) weaponizes mass hysteria for his own malevolent purposes. Notably, this season’s list features a record eight films produced in Japan, many of which strive to take anime to new heights. These include Fireworks, The Laws of the Universe – Part I, two films from Masaaki Yuasa, Mamoru Hosoda’s Mirai, Maquia: When the Promised Flower Blooms from first-time director Mari Okada, and Liz and the Blue Bird from Naoko Yamada.

Completing the list of contenders this year are Tall Tales, coming out of France, and Sgt. Stubby: An American Hero, from director Richard Lanni. Providing some resolution in a season with an overabundance of solid works, the Oscar nominations will be announced on January 22, 2019.
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Bo Report: ‘Mortal Engines’ bows but ‘The Grinch’ steals top spot

Mortal Engines’. (Photo courtesy of Universal Pictures)

Following on from middling reviews, Universal’s Mortal Engines, produced and co-written by Peter Jackson, couldn’t match The Grinch, Bohemian Rhapsody or Creed II at the Aussie box office last weekend.

Directed by Christian Rivers and based on the novel by Philip Reeve, the Nz-shot sci-fi starring Hera Hilmar and Hugo Weaving opened on $1.4 million from 327 screens. Due to release in the Us this week, it totalled just $US18 million in 43 international markets over the weekend.

Illumination/Universal’s The Grinch stole the number one spot in Oz its second round, reaping $2.5 million from 323 screens – a fall of only 11 per cent. Co-directed by Scott Mosier and Yarrow Cheney, the animated Dr. Seuss adaptation features a voice cast that includes Benedict Cumberbatch, Cameron Seely and Rashida Jones. In total, the film has amassed $7.4 million to date in Australia, $US223.5 million in North America and $US322.4 million internationally.
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Bo Report: Solid starts for ‘Creed’ sequel and ‘The Grinch’

Creed II’ (Photo: Warner Bros).

MGM/Warner Bros’ Creed sequel and Universal/Illumination’s The Grinch understandably didn’t pack the punch of their stellar Us debuts in Australian cinemas last weekend – but the former opened far better than the original and the latter is positioned to trade strongly as school holidays approach.

Mks Retail’s science-fiction thriller 2.0. attracted plenty of Bollywood fans but it will need to make a motza given the reported budget of ₹543 crore ($A106 million).

Among the limited releases, Palace’s Normandy Nude and Transmission’s Lean on Pete struggled and Universal’s zany comedy Sorry to Bother You resonated strongly on just four screens.

Louis Theroux admirers turned up for Sharmill Films’ alternate content release Love Without Limits at upscale venues such as Cinema Nova but in lesser numbers at other locations.

The top 20 titles harvested $14.8 million, virtually flat with the previous weekend, according to Numero.
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With An Eye Toward International Audiences, ‘The Grinch’ Directors Seek The Essence Of A Seussian World

  • Deadline
Avid fans of the Dr. Seuss canon that were excited to bring one of the author’s most well-known characters to life in a new animated iteration, Scott Mosier and Yarrow Cheney set out on a long process of trial and error, seeking to bring a freshness to The Grinch. The third adaptation of a classic 1957 children’s book, Illumination Entertainment’s latest would place Benedict Cumberbatch in the role of the iconic green curmudgeon, setting out to ruin Christmas for those pesky Whos of Whoville once and for all.

Making his feature debut alongside veteran Cheney, Mosier had produced a 3D animated film in 2013—Free Birds, starring Woody Harrelson and Owen Wilson—getting a “crash course” in the form. So, when it came to The Grinch, the challenge wasn’t learning the ropes—it was taking a pre-existing world and fleshing its 60-something pages out, playing with story, character and world design where possible,
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Benedict Cumberbatch's 'Grinch' Gets a Makeover That Takes the Green Meanie Back to His Roots

Benedict Cumberbatch's 'Grinch' Gets a Makeover That Takes the Green Meanie Back to His Roots
For the third major retelling of Dr. Seuss' classic tale How the Grinch Stole Christmas!, Illumination Entertainment decided to go back to the mean one's very roots. Instead of taking their cues from Chuck Jones' famous 1966 TV version, featuring the voice of Boris Karloff as both the narrator and the Grinch, or cribbing from Ron Howard's 2000 live-action version — in which Jim Carrey starred in green-face — filmmakers picked up Seuss' original 1957 children's book.

Scott Mosier, who along with Yarrow Cheney directed the new computer-animated The Grinch, which Universal will release Nov. 9 — just in ...
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‘Venom’ Devours $111M In China Debut, Bonds With $674M Global – International Box Office

  • Deadline
Update, writethru…: Thrashing to a massive China start, Sony’s Venom has reclaimed the No. 1 spot at the worldwide and international box office this weekend. Chomping on $111M in the Middle Kingdom, the Tom Hardy-starrer is the 2nd best bow there ever for a superhero title, the 5th best for an imported film and Sony’s biggest China launch of all time.

As we noted on Saturday, the China performance was powering Venom across the $600M mark globally, and with $673.5M through Sunday, Ruben Fleischer’s take on the Marvel property will soon see the other side of $700M. The overall overseas session was worth $118.2M on 44,700+ screens in 66 markets for an offshore cume of $467.3M.

The China debut makes Venom just the second superhero movie ever to hit the century mark during a 3-day Middle Kingdom bow, behind only Avengers: Infinity War. Audience reaction has been great,
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‘The Grinch’ to Snag Box Office Crown With $67 Million

  • Variety
‘The Grinch’ to Snag Box Office Crown With $67 Million
His heart may be small, but that doesn’t mean his box office returns will be.

“Dr. Seuss’ The Grinch” is looking to top the weekend box office in its debut with an estimated $67 million from 4,141 North American locations.

Benedict Cumberbatch voices the titular green Whoville denizen in Universal’s new adaptation of Seuss’ 1957 story from Illumination. Scott Mosier and Yarrow Cheney directed the Yuletide pic from a screenplay by Michael LeSieur and Tommy Swerdlow. Rashida Jones, Kenan Thompson, Cameron Seely, and Angela Lansbury also lent their voices to the feature, with Pharrell Williams narrating and music by Danny Elfman.

The film has an early Rotten Tomatoes score of 54% and has landed an A- CinemaScore.

The last “Grinch” adaptation, 2000’s instant classic “How the Grinch Stole Christmas” starring Jim Carrey and directed by Ron Howard, earned $55 million in its opening weekend, giving this year’s animated version a significant box office edge.
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‘The Grinch’ to Make Merry With $61 Million Opening Weekend

  • Variety
‘The Grinch’ to Make Merry With $61 Million Opening Weekend
Holiday season has already started for “The Grinch” as it heads for a merry $61 million opening weekend at 4,140 North American locations, early estimates showed Friday.

Universal-Illumination’s animated comedy is performing right in line with forecasts of between $55 million and $65 million this weekend. Fox’s second weekend of “Bohemian Rhapsody” should lead the rest of the pack with about $28 million. Newcomers “The Girl in the Spider’s Web” and World War II horror tale “Overlord” should take in about $9 million each and will probably finish behind the second weekend of Disney’s “Nutcracker and the Four Realms” for third place.

The Grinch,” adapted from the 1957 Dr. Seuss book “How the Grinch Stole Christmas,” features Benedict Cumberbatch as the voice of the titular Yuletide-hating character. The voice cast also includes Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Frequent Illumination collaborator Yarrow Cheney took on directing duties with Scott Mosier
See full article at Variety »

Movie Review – The Grinch (2018)

The Grinch, 2018.

Directed by Yarrow Cheney and Scott Mosier.

Starring Benedict Cumberbatch, Rashida Jones, Angela Lansbury, Cameron Seely, Kenan Thompson, and Pharrell Williams.


A grumpy Grinch plots to ruin Christmas for the village of Whoville.

Illumination Entertainment’s latest Dr. Seuss adaptation – Christmas classic The Grinch – is a delightful kid-friendly holiday treat. Adult-friendly, as well. Mr. Grinch may be a mean one, but Benedict Cumberbatch’s personification is the least darkened of all. His a Grinch boasting denser (albeit brief) backstory development- a reason for hating Christmas – yet more exuberant twinkles of pleasure. Jim Carrey will always be remembered for donning Dr. Seuss’s grouchy green costume, expressive in ways Cumberbatch’s CG avatar dreams if only to remind how different a take Illumination shapes. Brighter, chirpier, and stuffed fat with a whole lot of neatly-wrapped holiday cheer.

Dr. Seuss penned a tale about How The Grinch Stole Christmas,
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Box Office: ‘The Grinch’ Grabs $2.2 Million on Thursday Night

  • Variety
Box Office: ‘The Grinch’ Grabs $2.2 Million on Thursday Night
The Grinch” has opened with a merry $2.2 million at 3,200 North American locations on Thursday night.

Universal-Illumination’s holiday-themed animated comedy, which began showings at 6 p.m., is expected to gross between $55 million to $65 million this weekend when it expands to 4,140 screens. “The Grinch” should dominate moviegoing over the second weekend of “Bohemian Rhapsody,” and the launches of thriller “The Girl In the Spider’s Web” and World War II horror tale “Overlord.”

The Grinch,” adapted from the 1957 Dr. Seuss book “How the Grinch Stole Christmas,” stars Benedict Cumberbatch as the voice of the Yuletide-hating villain. The voice cast includes Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Frequent Illumination collaborator Yarrow Cheney took on directing duties with Scott Mosier from a script by Michael LeSieur and Tommy Swerdlow.

The Grinch” is the second Dr. Seuss story that Illumination has brought to the big screen following 2012’s “The Lorax,” which
See full article at Variety »

‘The Grinch’ Swipes $2.2 Million at Thursday Box Office

  • The Wrap
‘The Grinch’ Swipes $2.2 Million at Thursday Box Office
Illumination and Universal’s “The Grinch,” a remake of the Dr. Seuss classic “How the Grinch Stole Christmas,” earned $2.2 million in Thursday previews from 3,200 screens. It will open on 4,140 screens this weekend.

Universal is projecting an opening weekend of $50 million for “The Grinch” and as high as $62 million based on numbers from independent trackers. Illumination’s previous Dr. Seuss adaptation, “The Lorax,” exceeded expectations by opening to $70.2 million in March 2012. Both “The Lorax” and “The Grinch” have reported $75 million budgets, consistent with other Illumination films. More recently, Illumination’s 2016 film “Sing” opened to only $1.7 million in Thursday previews on the way to a $35.2 million opening.

The Grinch” stars Benedict Cumberbatch as the title character along with Rashida Jones and Kenan Thompson, telling the story of a lonely green grouch who concocts a plan to steal Christmas. Longtime Illumination director Yarrow Cheney directs with Scott Mosier.

Also Read: Benedict Cumberbatch on
See full article at The Wrap »

Film Review: He’s a Not-So-Mean-One in Remake of ‘The Grinch’

Chicago – They should have left well enough alone, didn’t anybody learn anything from the trainwreck of the Jim Carrey live-action-as-The-Grinch? Apparently not. A more kid friendly and modern animated version of “The Grinch” opens six weeks before Christmas, and already I want to return it.

Rating: 3.0/5.0

It’s isn’t bad bad, it’s just ho-hum and lazy storytelling. It starts with the inevitable, and by this time bordering-on-satire hip hop version of “You’re a Mean One, Mr. Grinch” by Tyler the Creator… because we all know that the kiddie target audience need hip hop 24/7. And then we hear the voice of new Grinch, and it sounds exactly like a Brit doing an American accent (stretch out those vowels!). It would have been much cooler if Benedict Cumberbatch has just done his natural voice. Oh well. At least it had a decent emotional connection at the end, but
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Weekend Box Office: 'The Grinch' Unwrapping $67M; 'Overlord' Beating 'Girl in the Spider's Web'

Weekend Box Office: 'The Grinch' Unwrapping $67M; 'Overlord' Beating 'Girl in the Spider's Web'
Illumination and Universal's CG animated The Grinch, the latest adaptation of the classic Dr. Seuss holiday tale, is unwrapping plenty of green at the North American box office, where it grossed $18.7 million on Friday for a projected weekend bow of $67 million.

Friday's gross included $2.2 million in previews.

With a Grinch voiced this time out by Benedict Cumberbatch, the $75 million movie, playing in 4,414 theaters, is the first family event film of the year-end corridor.

Directed by Scott Mosier and Yarrow Cheney, the film's voice cast also includes Rashida Jones, Kenan Thompson, Angela ...
See full article at The Hollywood Reporter »
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