Delle Bolton - News Poster


Two of Redford's Biggest Box-Office Hits on TCM Tonight

Robert Redford movies: TCM shows 'Butch Cassidy and the Sundance Kid,' 'The Sting' They don't make movie stars like they used to, back in the days of Louis B. Mayer, Jack Warner, and Harry Cohn. That's what nostalgists have been bitching about for the last four or five decades; never mind the fact that movie stars have remained as big as ever despite the demise of the old studio system and the spectacular rise of television more than sixty years ago. This month of January 2015, Turner Classic Movies will be honoring one such post-studio era superstar: Robert Redford. Beginning this Monday evening, January 6, TCM will be presenting 15 Robert Redford movies. Tonight's entries include Redford's two biggest blockbusters, both directed by George Roy Hill and co-starring Paul Newman: Butch Cassidy and the Sundance Kid, which turned Redford, already in his early 30s, into a major film star to rival Rudolph Valentino,
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Tonight's MovieMovie: Jeremiah Johnson Starring Robert Redford

"I, Hatchet Jack, being of sound mind and broke legs, do leaveth my rifle to the next thing who finds it..."

Tonight's MovieMovie is one of the great unsung Westerns of the '70s and the second of seven collaborations between actor Robert Redford and Academy Award-winning director Sydney Pollack.

Redford stars as the title character, a veteran of the Mexican War (1846–48) who moves out west to become a mountain man. Johnson's life is a difficult one, filled with harsh winters, hungry grizzly bears and ferocious Blackfoot warriors who don't appreciate white men encroaching on their territory, but he manages to find peace, harmony and love with the daughter (Delle Bolton) of a Flathead chief. Unfortunately, Johnson's piece is short-lived. When the U.S. Cavalry force him to help them move through native territory, everything and everyone in his life is put in jeopardy and the peaceful man he once
See full article at ReelzChannel »

‘Jeremiah Johnson’ Hollywood’s Most Beautiful – and Saddest – Western

Jeremiah Johnson

Directed by Sydney Pollack

Written by Edward Anhalt and John Milius


The Western, at its creative and commercial peak – the late 1960s-early 1970s – proved itself an astoundingly pliable genre. It could be molded to deal with topical subject matter like racism (Skin Game, 1971), feminism (The Ballad of Josie, 1967), the excesses of capitalism (Oklahoma Crude, 1973). It could be bent into religious allegories (High Plains Drifter, 1973), or an equally allegorical address of the country’s most controversial war (Ulzana’s Raid, 1972). Westerns could be used to deconstruct America’s most self-congratulatory myths (Doc, 1971), and address historical slights and omissions (Little Big Man, 1970). They could provide heady social commentary (Hombre, 1967), or simple adventure and excitement (The Professionals, 1966). They could be funny (The Hallelujah Trail, 1965), unremittingly grim (Hour of the Gun, 1967), surreal (Greaser’s Palace, 1972), even be stretched into the shape of rock musical (Zachariah, 1971) or monster movie (Valley of Gwangi, 1969).

See full article at SoundOnSight »

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