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Professor Marston and the Wonder Women (2017)

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The story of psychologist William Moulton Marston, and his polyamorous relationship with his wife and his mistress who would inspire his creation of the superheroine, Wonder Woman.

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3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Mary
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Brant Gregory
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Molly Stewart
Sharon Kubo ...
Kate
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Sara
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Fred Stewart (as Chris Gombos)
Forry Buckingham ...
Doctor
Stacy Fischer ...
Linda
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Storyline

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.

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Ever wonder? See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

R for strong sexual content including brief graphic images, and language. | See all certifications »
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Details

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Release Date:

13 October 2017 (USA)  »

Also Known As:

El profesor Marston y la Mujer Maravilla  »

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Box Office

Opening Weekend USA:

$736,883, 15 October 2017, Wide Release

Gross USA:

$1,584,759, 20 November 2017
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Did You Know?

Trivia

Oliver Platt voiced Hades in Wonder Woman (2009) and was starred in the comic book film X: First Class (2011). See more »

Goofs

When the professor was in the hospital at the end of his life his room had modern features that would not have been in hospital in the 1940's. These include a sprinkler system, modern electrical boxes and some large, modern A/C units outside the windows. See more »

Quotes

William Moulton Marston: She is beautiful, guileless, kind, and pure of heart. You are brilliant, ferocious, hilarious, and a grade A bitch. Together, you are the perfect woman.
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User Reviews

Entertaining and illuminating cinema.
14 October 2017 | by See all my reviews

Who would have thought Wonder Woman, whom we have this year glorified in a worthy film, has her roots in an American ménage a trois? Professor Marston and the Wonder Women almost chastely depicts Marston (Luke Evans), a psychology professor at Radcliffe in the late 1930's and early '40's; his brilliant wife, Elizabeth (Rebecca Hall); and Bella Heathcote (Olive Byrne), a comely student and niece of Margaret Sanger, the birth-control feminist.

Their research and the comic-book heroine get parallel inspiration from Marston's fundamental DISC theory that all human behavior can be traced to a form of dominance, inducement, submission, or compliance. The take away from this unusual docudrama is that Wonder Woman for several years was steeped in violence and sadomasochism until puritanical forces overcame it, only for it to be resurrected with her super powers but, alas, no bondage, no homosexuality, no controversy.

Except for that skimpy bathing suit, to which apparently the male power structure gave a pass. Although Professor Marston's comic-book gift to feminism can't be overstated, the film spends much more time on the love triangle, its difficult reception in the burbs, and the surface pleasantries of seeing three lovely actors kissing.

Credit writer-director Angela Robinson for tastefully depicting this alternative life style without rancor or dramatic turns. Quietly out of it came the lie-detector machine and a comic book that shook the culture, mirroring the professor's own beliefs that men should respect the power of women, whose power should be glorified rather than feared (take that, Harvey W).

Professor Marston and the Wonder Women combines the inherently interesting origin of the Wonder Woman myth and the groundbreaking assertion of three people fighting for their right to love as they like. You'll leave the theater with history and a fuller appreciation of contemporary feminism's roots. That's just entertaining and illuminating cinema.


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