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The Little Hours (2017)

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In the Middle Ages, a young servant fleeing from his master takes refuge at a convent full of emotionally unstable nuns. Introduced as a deaf mute man, he must fight to hold his cover as the nuns try to resist temptation.



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2 nominations. See more awards »



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Cast overview, first billed only:
Guard Paolo
Guard Gregorio
Rolando Abbarchi ...
Old Man Priest


In the Middle Ages, a young servant fleeing from his master takes refuge at a convent full of emotionally unstable nuns. Introduced as a deaf mute man, he must fight to hold his cover as the nuns try to resist temptation.

Plot Summary | Add Synopsis


Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for graphic nudity, sexual content and language | See all certifications »

Parents Guide:






Release Date:

30 June 2017 (USA)  »

Also Known As:

Малые часы  »

Filming Locations:

Company Credits

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Technical Specs



Aspect Ratio:

2.35 : 1
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Did You Know?


The screenplay is based on the first tale of the third day from The Decameron (1971). See more »


Lord Bruno: [to his staff] One of you sluts thinks he's quite the jester.
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User Reviews

The 11th Commandment: Thou Shall Not See This Movie!
20 July 2017 | by (United States) – See all my reviews

(RATING: ☆☆ out of 5 )



IN BRIEF: A ribald farce whose biggest sin is its unfunny screenplay.

SYNOPSIS: Lustful nuns run rampant in this sex comedy set in the Middle Ages.

JIM'S REVIEW: Bless me father, for we have sinned...big time. In the independent comedy, The Little Hours, little time is spent on subtleties. Shock value is frequent, both in language and in actions, as we meet some nuns who are sexually deviants in the highest order. (Needless to say, many Catholic groups are protesting this film's sacrilegious content.)

Loosely based on The Decameron, Jeff Baena's subversive film takes us behind the walls of a 13th century convent and squarely in the midst of a trio of lustful sisters, Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginerva (Kate Micucci) who are "beguiled" by a new handyman, Massetto (Dave Franco). He is posing as a deaf mute and in hiding from Lord Bruno (Nick Offerman), who is after him for bedded his wife (Lauren Weedman). The convent and temporary sanctuary is run (or mismanaged) by Sister Marea (Molly Shannon) and Father Tommasso (John C. Reilly) and it is coming undone from all of these farcical complications.

One might recommend this film to the most liberally-minded of individuals, but even that is questionable as Mr. Baena squanders his chances by playing up the sexual antics while playing down the real farce. The non-stop profanity and sexual situations could easily offend the more conservatively-based moviegoers just within the first ten minutes of the movie itself. But if you are one of the ribald loving few, who likes their raunchy hi-jinks with a satirical sting, this is your kinda movie. For me, the satire was lost.

The title makes no sense, but then neither does the movie. The film wants to be outrageous and edgy but it never goes far enough, mostly due to a scattershot screenplay that seems more improvised than written. Characters are walking clichés and the plot remains a series of unfulfilled opportunities and comic possibilities.

The Little Hours more often provides groans with a few laughs in-between, mostly due to its nimble cast of players who know their way around a good joke or two (although finding a good joke in this movie is indeed a spiritual quest. But the film cannot sustain its own comic energy and some of the set pieces seem like routine SNL skits rather than well written satire.

Only Ms. Plaza, Ms. Micucci, Mr. Reilly, and Ms. Weedman delivering a few chuckles. Fred Armisen also makes a quick appearance as a visiting bishop and his droll humor in one short scene does registers. Sadly, the talented cast is wasted.

Granted, the director has a small budget, but Mr. Baena has an even smaller vision. As the screenwriter, he rarely builds any comic conflict to the absurd degree it needs to be remotely funny. He also unwisely allows his actors to speak in modern day jargon which becomes labored and their pratfalls are non-existent.

The Little Hours is unfunny and disappointingly dull. It may be the longest hour and a half any moviegoer shall endure...and that is the ultimate sin. The filmmakers should say three Hail Marys and an act of contrition over this dud.

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