Lucie is in remission and her illness is almost a distant memory. Her family pushes her to live life to the fullest, and in doing so Lucie meets the charming and arrogant Clovis, who is ... See full summary »
In 1950s France, Gabrielle is a passionate, free-spirited woman who is in a loveless marriage and falls for another man when she is sent away to the Alps to treat her kidney stones. Gabrielle yearns to free herself and run away with André.
It's been four years since Sylvie's son Felipe was abducted by his father Pablo after their divorce. Having been let down by the French officials who had succeeded in tracking both them down, only to let them escape again, Sylvie has now decided to take matters into her own hands.
Aurore, separated from her husband, has just lost her job and been told that she is going to be a grandmother. She is slowly being pushed to the outskirts of society, but when she ... See full summary »
Thibault de Montalembert,
For more than 45 years, Sarah and Victor have been together. How did they do it? Who's really Sarah, this enigmatic woman who's always been on the shadow of her husband? Love, ambition and secrets feed this unusual couple's odyssey.
Zahira, 18, is close to her family until her parents ask her to follow Pakistani tradition to choose a husband. Torn between family customs and her western lifestyle, the young woman turns for help to her brother and confidant Amir.
Lina El Arabi,
Within Brooklyn's ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.
Claire is a midwife in a maternity hospital. She is humane and helpful and gives herself entirely to her patients. But for all that her life is not a bed of roses. Her hospital is about to close its doors and the devoted woman is determined not to work in the new modern hospital she regards as a "baby factory". Her personal life is no triumph either: she is single and does not make friends easily. To make matters worse, her student son Simon is gradually leaving home, as he is developing a relationship with his new sweetheart Lucie. It is the moment that chooses Béatrice, her dead father's former mistress, to resurface. The eccentric, spendthrift, sensual, amoral woman (Claire's exact opposite in fact) is really the last kind of person she needs to mix with. But Béatrice soon informs her that she suffers from brain cancer and she has nobody else to turn to. Torn between rejection and duty, what is Claire going to do ? Written by
Mesmerizing pas-de-deux with two terrific Catherines
Viewed at the 2017 Berlin Film festival. MIDWIFE -- (Sage Femme) with Catherine Deneuve (73) and Catherine Frot. The second film of the day at the lavish Zoo Palace venue, was "Sage-Femme" which does not mean "Wise woman" but is the French term for a midwife. Catherine Frot, (born 1956) is the attractive somewhat older woman Claire (she has a grown son) who is a dedicated professional deliverer of babies (we see a number of such deliveries in bloody stomach churning closeups of new borns) but this is not the main story. It turns out that Claire is the resentful daughter of a wayward mother who left home thirty years earlier, Catherine Deneuve. Once Deneuve (still looking good at 73) enters the picture the story becomes a battle of wills between two strong women but when we find that Deneuve is suffering from a terminal brain cancer daughter Claire, until now full of resentment and anger, relents and takes her in.
Claire is a health food advocate and Deneuve just the opposite. She loves her red meat and wine even if it will kill her. There is a side story involving a single unattractive middle aged truck driver who falls in love with Claire and she more or less out of loneliness accepts his advances. But this is excess baggage only there to advance the basic plot between the two intense Catherines. Many little details such as a valuable family ring enter into the story but at the end, Deneuve, rather than continuing to be a burden on Claire literally jumps in the lake (a pond near the vegetable garden Claire maintains) leaving a most touching Farewell note, bearing only an imprint of her lipstick and the ring that has kept changing fingers. This is a very strong thespian pas-de-deux, directed by Martin Provost, and is another strong contender for a best acress bear -- and a best co-star prize, if there was such an award, for Deneuve.
image1.jpegThe Two Catherines, Deneueve and Frot, in "Sage-Femme"
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