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Sage femme (2017)

Unrated | | Drama | 21 July 2017 (USA)
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A midwife gets unexpected news from her father's old mistress.

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Cast

Cast overview, first billed only:
...
...
...
...
Simon
...
Rolande
...
Cécile Amado - une patiente
...
La chef de service hôpital moderne
Pauline Parigot ...
Lucie
Marie Gili-Pierre ...
Evelyne
Jeanne Rosa ...
Élodie
Élise Oppong ...
Sophie
Ingrid Heiderscheidt ...
L'hôtesse d'accueil de la maternité
Jacques Mechelany ...
Francis
Ana Rodriguez ...
Patiente du bébé au cordon enroulé
...
Madame Naja - une patiente
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Storyline

Claire is a midwife in a maternity hospital. She is humane and helpful and gives herself entirely to her patients. But despite that her life is not a bed of roses. Her hospital is about to close its doors and the devoted woman is determined not to work in the new modern hospital she regards as a "baby factory". Her personal life is no triumph either: she is single and does not make friends easily. To make matters worse, her student son Simon is gradually leaving home, as he is developing a relationship with his new sweetheart Lucie. It is the moment that Béatrice, her dead father's former mistress, chooses to resurface. The eccentric, spendthrift, sensual, amoral woman (Claire's exact opposite in fact) is really the last kind of person she needs to mix with. But Béatrice soon informs her that she suffers from brain cancer and she has nobody else to turn to. Torn between rejection and duty, what is Claire going to do? Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

21 July 2017 (USA)  »

Also Known As:

El reencuentro  »

Filming Locations:

 »

Box Office

Budget:

€7,000,000 (estimated)

Opening Weekend:

$21,341 (USA) (23 July 2017)

Gross:

$402,918 (USA) (20 August 2017)
 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Claire tells Beatrice she is 49; Beatrice replies that she always looked older than she actually was. Catherine Frot, who plays Claire, is 61. See more »

Connections

Referenced in Breakfast: Episode dated 8 July 2017 (2017) See more »

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User Reviews

 
a emotionally rich tale about two very different women
25 October 2017 | by (Sydney) – See all my reviews

One of the many ways that European and Hollywood films differ is that the former is willing to dwell on the ordinary while the latter usually prefers to make stories bigger than they merit. The French film The Midwife (2017) is an example of storytelling that works simply by putting two very different women together and watching how they resolve the webs of emotion that have become tangled over time.

As she approaches her 50th birthday, devoted midwife and single mother Claire (Catherine Frot) faces professional upheaval when her clinic must close. Her orderly conservative life is fractured further when the woman she blames for her father's suicide suddenly makes contact after 30 years. Opposites in every way, Beatrice (Catherine Deneuve) is manipulative, irresponsible, and a chronic gambler who loves fine wine and rich food. Claire's suspicion that Beatrice wants something is proved correct when the latter confides that she is dying, homeless and without support. Initial rejection turns into understanding for the midwife whose instincts are to nurture life, as she juggles the needs of Beatrice, the clinic's closure, and her neighbour's romantic advances. When her son announces he is quitting medical school and his girlfriend is pregnant, the always competent Claire confronts being helpless in a sea of change.

These narrative strands and their complications are not what sustains the story. Rather it is the way these two icons of French cinema fill out their roles and the emotional connections they make. The flamboyant Beatrice is dramatic and unfiltered, while the restrained Claire is measured and well aware of the other's character flaws. One is a taker, the other a giver, yet both are engaging in different ways. As Beatrice confronts her fate, Claire continues bringing new life into the world in several very moving childbirth scenes that anchor the earthy realism and ordinariness of the story. The filming style dwells on warm and intimate moments, capturing both the charms and emotional swirls of French village life. Great acting and filming complements a script that finds uncontrived humour in everyday places.

Richly nuanced performances in the European cinematic tradition are at the heart of The Midwife. This is not a film that offers rising tensions towards a big resolution. Instead you are likely to leave the cinema with a bitter-sweet afterglow that comes from sharing moments of unbridled joy, sadness, and the ambivalent ordinariness of our existence.


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