A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
Guillermo del Toro
The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »
... to balance out all the users who don't seem to look beyond trailers when they go to see a movie. I mean, did these people even read anything about this motion picture before seeing it? It's by Aronofsky, the guy who made Requiem for a Dream and Black Swan... I mean, were people expecting Ouija? Mother! isn't perfect, but it's damn interesting, funny, disturbing and entertaining. It's audaciously resistant to current Hollywood conventions, and it's oozing with themes, metaphors, allusions, and symbols. The performances are great, the camera-work incredible, and the whole experience a carnival of filmmaking verve. It doesn't carry any kind of real dramatic weight, but it leaves one with lots to think about. If you're really a movie fan, ignore the naysayers and check it out.
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