In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
It's time for a young African-American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by
Kenneth Chisholm (email@example.com)
As this movie is filmed in Atlanta and Edgar Wright added many touches to make it authentically Atlantan, when the Bo's Diner chef answers the phone and says "what'll ya have?," this is most likely a reference to the famous Atlanta diner The Varsity, where the employees take your order by asking "what'll ya have?" See more »
The camera crane is reflected in some shots of the second chase, especially when the gang vacate their vehicle in the middle of traffic. See more »
[Baby is sitting at a table in a diner when Deborah, a waitress, notices him]
So are you starting your day or did you just get off?
They call; I go. You know?
[Instantly, Baby's phone buzzes on the table which he catches without looking]
So what is it you do?
I'm a driver.
Oh, like a chauffeur? Anyone I'd know?
I hope not.
What is your name?
[...] See more »
At the end of the credits is the sound of a tape rewinding. See more »
Completely silly waste of time -- for teens and under ONLY, if that
With all the hype over this movie, I had to come in here and try and be one little island of reason amidst the ocean of insanity. For the life of me, I cannot understand how it's getting any praise at all, let alone heaps of it. The premise/plot is colossally stupid, so it's check-your-brain-at-the-door stuff from the get-go. But even within those cartoonish parameters, there is not one interesting story element nor compelling character to be found. The movie is cliché after cliché. It has this one parlor trick, which surely you've heard about, where it often syncopates the (ridiculous) action with the music track. To which I reply, okay, fine. In no way do I see how this somehow elevates the terrible script and two-dimensional characters. At no point did I care about what happened to anyone. I hate to overuse simple descriptors like "dumb" or "pointless," but honestly, I can't use them enough about this movie. If I can save one over-13 person the waste of time, I will feel like a hero. Please save your money!
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