In the near future, a weary Logan cares for an ailing Professor X somewhere on the Mexican border. However, Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
A movie crew, travelling to a mysterious island to shoot their picture, encounter a furious gorilla, taking their leading actress and forming a special relationship with her, protecting her at all costs.
A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention. Written by
Mason was shown loading Kodak Plus-X film into her camera, which is, or was, a mid speed black and white film, OK for daytime shooting, but not for low light shots as she is seen taking later, at least not without camera shake and blurring or unless you use flash equipment. Also, as it is black and white, it isn't what you would use to capture the colors of the Southern Lights and a timed exposure would just be a bunch of gray blur. Many photographers carry more than one type of film and there may have been an off camera switch of film types. See more »
I'm sorry for the loss of your men. But if you want their sacrifice to mean anything, you have to bring back evidence.
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SPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Ghidorah, Mothra and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla: King of the Monsters (2019). See more »
Movies used to be fun. Genuinely fun. Kong: Skull Island is a throwback to the era when movies were fun - like, Stars Wars fun. Like Jaws fun. That kind of fun. The leads embody characters that are all understandable and genuinely likable. The plot isn't stuffed with technical geek references and "easter eggs" that weigh down other universe-building films. From the fire- singed Kong fur to the slick skull crawler tongues, the special effects are brilliantly detailed and animated. And it's genuinely refreshing to watch an action/monster film in which native peoples are depicted with dignity and respect, and where black and Asian characters aren't used as props or fodder for violence (admittedly, the film could have gone further with this, but I sensed some progress being made). Kong: Skull Island isn't Life is Beautiful. It isn't Casablanca. But it is genuinely, thrillingly, rigorously fun. It has heart, scales, teeth and a ferocious roar. Monster movies are back. Get in line. Hail to the King.
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