During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
In the cold war, a lawyer, James B. Donovan is recruited by the CIA and involved in an intense negotiation mission to release and exchange a CIA U-2 spy-plane pilot, Francis G. Powers. The pilot was arrested alive after his plane was shot down by the Soviet Union during a mission and stays in the company of a KGB intelligence officer, Rudolf Abel, who was arrested for espionage in the US. Written by
In the scene in which Tom Hanks calls his wife from a pay phone in West Berlin, one of the films shown on the marquee is Spartacus. Spartacus and Exodus were the first films to acknowledge Dalton Trumbo as screenwriter since he was blacklisted in 1947 after testifying before HUAAC. While historically accurate that Spartacus would have been released around the same time as James Donovan's negotiations in Berlin, the inclusion of the film on the marquee is a subtle nod toward the Hollywood blacklist, and American anti-communist efforts in Hollywood. See more »
When Donovan was offered an alcoholic drink in East Germany, it comes out of a bottle with an aluminum screw top cap. This didn't exist in 1960. It should have a cork. See more »
"And the Best Supporting Actor Oscar goes to... Mark Rylance"
There are combinations of film makers that make you confident, as you pay your ticket price, that you are not going to be terribly disappointed: Steven Spielberg directing; Tom Hanks taking the lead; Janusz Kaminski behind the camera; Michael Kahn editing and a Coen brothers script (with Matt Charmon (Suite Française)). And Bridge of Spies doesn't disappoint, particularly for someone of my more advanced years (I was born the year following the film's climatic events) who remembers well the terror of potential nuclear catastrophe that hung over the world through the 60's and 70's.
In a story based on true events, Hanks plays James Donovan (diverging somewhat from reality here) as an insurance lawyer dragged by his firm into defending Rudolf Abel, the accused Soviet spy played exquisitely by British stage acting legend Mark Rylance. Against this backdrop, the international blue touch paper is about to be lit by the shooting down over Russia of Gary Powers (Austin Stowell from "Whiplash") in his U-2 spy plane (sorry "article"). Donovan becomes instrumental in unofficially negotiating on behalf of the US government the release of Powers in East Berlin. The deal is jeopardized by his boy-scout tendencies to also want to help another US captive Frederic Pryor (Will Rogers).
I've read some negative reviews of this film in the papers that made me quite cross, describing it as "yawnsome" and "sanctimoniously dull". For me, nothing could be further from the truth and the packed Saturday night audience I saw this with seemed equally gripped from beginning to end, silent save for the odd laugh where some appropriate humor is weaved into the story.
Tom Hanks is solid and believable as the fish-out-of-water lawyer, albeit that the role is played with a large spoonful of patriotic American sugar as Donovan trumpets about the importance of the constitution over the lynch-mob mentality of the general public. Alan Alda great to see again on the big screen channels his best Hawkeye-style exasperation as Donovan's boss, looking for a clean and quick conviction.
But it is Mark Rylance an irregular player in movies, and due to appear again in next year's "BFG" who shines out as the acting star of the film. His salubrious and calm turn as the cornered spy just reeks of class and if he isn't nominated for a Best Supporting Actor nomination for this then there is no justice. (A special 'casting recognition award' to my wife Sue for spotting that the actress playing Judge Byer's wife Le Clanché du Rand was Meg Ryan's mother in Sleepless in Seattle 22 years ago!)
The cinematography is superb with some gorgeous tracking shots and framed scenes. Most outstanding of all is the scene depicting the traumatic construction of the Berlin wall long tracking shots in greys and blues delivering a truly breathtaking piece of cinema. In general I'd give a big shout-out to both the art department and the special effects team in making the desolation of East Berlin feel so real. It makes the similar scenes, that I commented positively on in the recent "Man from U.N.C.L.E." seem like an amateur school production.
The special effects team also contribute in making the shooting down of the U-2 a thrilling piece of cinema.
Music is sparingly and effectively used by Thomas Newman, and it can be no greater complement to the composer than that I was wondering until the end titles as to whether it was another Spielberg/ John Williams collaboration or not.
A great film, one of my favorites this year. Highly recommended, especially if you are over 50. You should also get out to a cinema to see this one it will be far more effective on the big screen than the small one.
(Please visit http://bob-the-movie-man.com for the graphical version of this review. Thanks.)
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