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T2 Trainspotting (2017)

R | | Drama | 31 March 2017 (USA)
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After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud, and Begbie.

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More About 'T2 Trainspotting'

View photos of Ewan McGregor and the T2 Trainspotting cast through the years. Plus, check out our salute to our favorite on-screen mischief-makers.

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Cast

Cast overview, first billed only:
...
Logan Gillies ...
Ben Skelton ...
Aiden Haggarty ...
Daniel Smith ...
Elijah Wolf ...
...
Begbie / Begbie's Father
...
Stoddart
...
John Kazek ...
Tom (Rehab Group)
...
Charlie Hardie ...
Scott Aitken ...
Farmer
...
Tulloch
...
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Storyline

First there was an opportunity......then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for drug use, language throughout, strong sexual content, graphic nudity and some violence | See all certifications »

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Details

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Release Date:

31 March 2017 (USA)  »

Also Known As:

Porno  »

Filming Locations:

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$170,575 (USA) (17 March 2017)

Gross:

$2,395,410 (USA) (19 May 2017)
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Company Credits

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1.85 : 1
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Did You Know?

Trivia

The 'prestigious Edinburgh private school' is in fact the main gate of the University of Glasgow. See more »

Goofs

In Sick Boys flat Renton and himself are talking about George Best when he played for Hibernian Football Club. When they slide on the pitch it is Tynecastle Park which is home to Heart of Midlothian, not Hibernian. See more »

Quotes

Veronika: What's 'Choose life'?
Renton: What?
Veronika: 'Choose life'. Simon says it sometimes. He says "Choose life, Veronika!"
Renton: 'Choose life'. 'Choose life' was a well meaning slogan from a 1980's anti-drug campaign and we used to add things to it, so I might say for example, choose... designer lingerie, in the vain hope of kicking some life back into a dead relationship. Choose handbags, choose high-heeled shoes, cashmere and silk, to make yourself feel what passes for happy. Choose an iPhone made in China by a woman ...
See more »

Connections

References From Russia with Love (1963) See more »

Soundtracks

No Way
Performed by Young Fathers
Written by Graham Hastings, Kayus Bankole, Alloysious Massaquoi & Timothy London
Courtesy of Big Dada
Published by Just Isn't Music
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User Reviews

 
Choose remakes. Choose re-imaginings. Choose sequels. Choose reboots. Choose life in 2017.
24 February 2017 | by See all my reviews

Following in the recent trend of dated sequels, reboots and kick-starts (literally and figuratively) here Danny Boyle's 90s cult classic gets a final shot in the arm; loosely hanging its narrative and character development around Irving Welsh's literary sequel 'Porno' and trying to circumnavigate a world two decades older – and wearier – than its predecessor (despite the book only giving way to nine).

All of the familiar faces are back – and those who aren't are at least in some way alluded to or given a not-so-subtle nod – but now generally referred to by their given names: Mark (Renton), Simon (Sick-Boy), Danny (Spud) and Frank (Begbie). And generally speaking, T2 is very much a nostalgia piece, revisiting all of the iconic imagery, scenery and/or moments which made the first movie so overtly unique, refreshing and unforgettable: from the worst toilet in Scotland, to parallel chase sequence moments, to snarky comments about the danger of underage girls; this follow-up seems almost determined to create an abstract sense of reflection. We as an audience are offered the chance to relive and reminisce on past glories in much the same way as the characters on-screen are. The misanthropic tone is a far cry from the jubilant anger of the first incarnation however and McGregor's lengthy 'Choose Life' explanatory diatribe (citing more modern pitfalls of Facebook, Twitter and "Slut Shaming") is the only real moment in which any character fully engages and communicates a sense of circumstantial disillusionment. On a positive note, the character development of Spud – who emerges as the primary, sympathetic protagonist – is excellent; despite what feels like a somewhat-forced, Hollywood-friendly, conclusive arc for Ewen Bremner's dim-witted addict. Overall, it's a serviceable enough cap tip to the original, but truthfully lacks the bark or bite to have the modern day resonance it craves (and the original so easily garnered).


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