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Martin seeks for a temporary job at Eugenio's house. When they recognize to be childhood friends, Eugenio offers him work for the summer. A power and desire game starts and their relationship grows beyond their friendship.
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Janek comes to Warsaw to become the godfather of his good old friend's baby. During the week before the ceremony the lives of Janek, Michal and his wife Magda change dramatically as the men's criminal past haunts them mercilessly.
Adam, a Catholic priest who discovered his calling as a servant of God at the relatively late age of 21, now lives in a village in rural Poland working with behavioral problem teens who fight and yell abuses. He declines the advances of a young brunette named Ewa, saying he is already spoken for; however, celibacy is not the only reason for his rejection. Adam knows he desires men and that his embrace of the priesthood has been a flight from his own sexuality. When he meets Lukasz, the strange and taciturn son of a simple rural family, Adam's self-imposed abstinence becomes a heavy burden. Written by
Anonymous / edited by statmanjeff
"Tangible, conscientious, eloquent and cinematographic..."
Polish screenwriter, producer and director Malgorzata Szumowska's fifth feature film which she co-wrote with Polish screenwriter and cinematographer Michal Englert and co-produced, is inspired by an article she read in a newspaper. It premiered In competition at the 63rd Berlin International Film Festival in 2013, was shot on location in Poland and is a Polish production which was produced by producer Agnieszka Kurzydlo. It tells the story about a Polish Catholic priest named Adam whom has been moved from his position in Warsaw and transferred to a rural village where he in addition to practicing and performing his duties as a priest manages a center for disadvantaged young boys with his friend named Michal. Adam starts becoming friendly with a woman named Ewa whilst he is staying there, but as Adam's colleague, the young boys he is working with and the people who lives there, she is unaware that Adam is hiding something.
Distinctly and subtly directed by European filmmaker Malgorzata Szumowska, this finely paced fictional tale which is narrated from multiple viewpoints though mostly from the main character's point of view, draws a mindful portrayal of a man of faith who does not have priest written all over him, who is in an ongoing ordeal with chastising himself and his relationship with a younger man named Lukasz. While notable for its naturalistic and atmospheric milieu depictions, fine production design by production designer Marek Zawierucha, sterling cinematography by Polish cinematographer Michal Englert and use of colors and light, this narrative-driven story which quietly and efficiently conveys how in some cases intolerance and certain traditional views can undermine the dignity of, cause involuntary and unnecessary loneliness and in the worst case scenario make someone think that they have no place in a society and that they in staying true to themselves have betrayed others in an unredeemable way, depicts a heartrending and empathic study of character and contains a great instrumental score by composers Pawel Mykietyn and Adam Walicki.
This modestly romantic, at times humorous, somewhat impassioned, conversational and far from overly theological, political or preaching drama which is set during a summer in Poland in the 21st century and which salutes the human spirit and its unwritten right to pursue its true nature is an exemplary and pivotal contribution to modern cinema from a filmmaker who in the name of tells this love-story in the same way as a heterosexual love-story would be told and whose love for her characters and for cinema shines through, and is impelled and reinforced by its cogent narrative structure, subtle character development and continuity, various characters, timely and efficient use of music, unsettling though poignant analogy, commendable and humane examination of its central theme and the fine acting performances by Polish actors Andrzej Chyra, Mateusz Kosciukiewicz, Lukasz Simlat and Polish actress Maja Ostaszewska. A tangible, conscientious, eloquent and cinematographic narrative feature which gained the Teddy Award for Best Feature Film at the 63rd Berlin Film Festival in 2013.
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