When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her scheming step-sisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
Alice returns to the magical world of Underland, only to find the Hatter in a horrible state. With the help of her friends, Alice must travel through time to save the Mad Hatter and Underland's fate from the evil clutches of the Red Queen and a clock like creature, known as Time. Written by
Although the movie is not related to the video game "Alice" (2000) by American McGee (itself a horror-themed "sequel" to the book Alice's Adventures in Wonderland) in any formal fashion, it does bear several striking similarities. Both feature Alice in an insane asylum (albeit in completely different circumstances), Time's castle is reminiscent of the level "Crazed Clockwork", while the venous, red, organic look of the Red Queen's castle, is similar to the level "Ascension", which also depicts the Red Queen's castle. None of these aesthetics or plot devices feature in the books. See more »
The chess board (on both sides of the looking glass) is set up incorrectly, with a dark square at lower right rather than a light square. See more »
Sir, shoals on every side. Sand or reef, I cannot say.
See more »
Right after the opening Disney logo plays out, it pans up to the night sky with The Cheshire Cat's smile as the moon. See more »
Don't You Think I Love You?
Written by Davidson C. Nelson and Joe Oliver (as Joseph Oliver)
Performed by Joe Oliver (as King Oliver)
Courtesy of Cleopatra Records, Inc.
By arrangement with The Orchard See more »
Before I shatter this film, I would like to say that I do respect the filmmakers of Hollywood (somewhat). They are creative geniuses that have transcended the art of filmmaking time and time again. They have continuously pushed the boundaries, especially when it comes to bringing astounding visual effects to the big screen.
However, the art of storytelling has become lost on them. This is primarily because conglomerates have bought out the studios. A movie is merely a commodity to the shareholders. The question they pose themselves before financing a movie is this: Do we already have a built in audience for this story? If there isn't already a built in audience, good luck getting the film financed.
With that being said, it is clear that storytelling is the last priority of Hollywood. Through the Looking Glass is a prime example of this. No matter how many groundbreaking visual effects they throw on the screen, the plot stinks. There was no suspense. Very little irony. No interesting characters. No memorable scenes. No compelling conflict and dynamics between the characters. The entire premise of the film was based on Alice saving the Mad Hatter from his illness. Yet, I could really care less. The story reflects nothing about the human condition. It raises no intriguing questions. Not to mention that the plot itself is aimless and disjointed. It meanders along, zipping in different directions without a clear focus and purpose. One wonders how a script like this even gets greenlit.
Maybe this is what audiences have come to accept. Maybe it's our culture that is the problem. However, I won't lay down without making my voice heard. When the credits rolled, I personally booed the film. My girlfriend tried to get me to shut up.
Story is a metaphor for life. Compelling characters represent something about each of us. We relate to them on different levels. We witness the actions they take, and say "Ah, I would've done the same." or "Wow. I would've never done that, but I can understand why they did it." The problem with fantasy films like this is that they are so far disconnected from reality that they literally represent nothing.
So I shall pose a challenge to those reading this review who have seen or intend to see this film: watch Alice, then watch a movie like Birdman, The Social Network, Nightcrawler, Fury, or a TV series like Breaking Bad, then compare the two. I guarantee that you'll find yourself much more emotionally fulfilled upon watching one of the films I mentioned. Not all superhero/fantasy films are trash. But Through the Looking Glass was an egregious example of all special effects, but a junk plot.
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