When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Dory is a wide-eyed, blue tang fish who suffers from memory loss every 10 seconds or so. The one thing she can remember is that she somehow became separated from her parents as a child. With help from her friends Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a conservatory that houses diverse ocean species. Written by
At the time of Finding Nemo (2003)'s production, Pixar were not able to animate octopi since they don't have any bone structure (Pearl as a Flapjack Octopus was easier to animate at the time), despite the film still featuring jellyfish which also lacks bone structure. By the time the sequel had come out, all was figured, along with a lot of other things Pixar had been incapable of animating the past decade. See more »
When the fish going to Cleveland are in the van there should be lids on the tanks. This would mean that the fish wouldn't flop between tanks and dory and hank wouldn't be able to get to the sun roof. See more »
Hi. I'm Dory. I suffer from short-term remembory loss.
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In a post-end credits scene, Fluke and Rudder repel another attempt by Gerald to join them on the rock, while the Tank Gang from Finding Nemo (2003) floats by, still in their bags, which are filthy after crossing the ocean -- except for Jacques' bag of course. They begin to celebrate their arrival before being promptly scooped up by researchers from the Marine Life Institute and thrown into a cooler where they will be presumably rescued, rehabilitated and released. The ordeal distracts Fluke and Rudder long enough for Gerald to sneak onto the rock behind them. See more »
A Nice Sidetrack to the Original, if Occasionally Over-Similar
Back to the pond for Pixar, where we find things largely unchanged from the end of 2003's Finding Nemo. As the continually-forgetful blue tang Dory has a sudden enduring flash of her childhood, a rush of recall, she gathers the clownfish for one more globe-spanning adventure. The setup is a little soft, lingering too long in the shadow of the first film, but eventually we break free of that sentiment and forge a new (if similar) identity for the sequel. The closed-in landscape of an aquatic themed zoo/amusement park feels a bit claustrophobic at first glance, but as hijinx ensue and we learn more of Dory's early years, it all fleshes out nicely. No shortage of colorful new characters there, literally and figuratively, not the least of which is Ed O'Neill's escape artist "septipus" (having lost a tentacle in the touch tank), who treads dangerously close to becoming a deus ex machina with his versatility. O'Neill brings his usual disgruntled pessimism to the role, though, and some genuinely clever sight gags using the creature's natural assets go a long way to smoothing that over. He's overly convenient, but we're always glad to see him again. Witty and fast-paced, with a good mix of gags for the adults and their kids, plus a potent dose of the studio's famed poignancy. I laughed, I misted up, but I never quite fooled myself into thinking it was superior to the first.
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