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Valerian and the City of a Thousand Planets (2017)

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A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.

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(based on the comic book series "Valerian and Laureline" by), (based on the comic book series "Valerian and Laureline" by) | 1 more credit »
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Take a Trip to 'Valerian'

Immerse yourself in the world of Valerian with our guided photo gallery and the eye-popping "Director's Trademarks: A Guide to the Films of Luc Besson" original video.

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Cast

Cast overview, first billed only:
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Sergeant Neza
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General Okto-Bar
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President of the World State Federation
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Captain Crowford
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Captain Norton
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Captain Welcoming Mercurys
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Captain Welcoming Palm Müret
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Captain Welcoming Arysum (as Benoit Jacquot)
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Storyline

In the Century XXVIII, the space station Alpha is a city where beings from different planets live together exchanging their knowledge and culture. Peace is granted by a human force, including Major Valerian and his partner Sergeant Laureline. They are assigned by the Defence Minister to retrieve the last species of converter in a dangerous mission. They succeed and back to Alpha, unknown humanoids abduct Commander Arun Filitt expecting to steal the converter. They head to a forbidden area that is infected but Valerian and Laureline follow them and disclose a hidden secret about the race and the infected area. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

A universe without boundaries needs heroes without limits. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi violence and action, suggestive material and brief language | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Language:

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Release Date:

21 July 2017 (USA)  »

Also Known As:

Valerian and the City of a Thousand Planets  »

Box Office

Budget:

$177,200,000 (estimated)

Opening Weekend:

$17,007,624 (USA) (23 July 2017)

Gross:

$39,272,263 (USA) (21 August 2017)
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Company Credits

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Technical Specs

Sound Mix:

(DTS: X)| | | |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At one point, Igon Siruss tells Valerian, "I will find you and I will kill you." To which Valerian whispers, "Good luck." This is nearly identical to the now iconic exchange from Taken, which was also written by Luc Besson. See more »

Goofs

Valerian, Laureline, and Bubble crash into a hallway from a trash chute. In the trash are skulls. The horns on one of the skulls flop around as Valerian gets up. See more »

Quotes

Sergeant Laureline: I'd rather that you took me somewhere other than a giant trash can!
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Crazy Credits

There's a dedication before the closing credits start rolling: To my father... See more »

Connections

References Gandahar (1988) See more »

Soundtracks

Jamming
(Bob Marley)
Performed by Bob Marley & The Wailers
Publishing Blue Mountain Music Ltd
Administered by Kobalt Music Publishing Ltd
(p) 1984 Island Records, a division of UMG Recordings, Inc.
With courtesy of Universal Music Publishing Film & TV and Tuff Gong International (Jamaica)
See more »

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User Reviews

 
Horrendously acted, incoherently written, waste of time.

Jeez. This movie. I loathe nearly everything about this film, but let's go ahead and knock out these positives. 

Valerian and the City of a Thousand Planets is visually stunning— sometimes. There is a great deal of imagination that went into the art design here, and this definitely separates this film from the overly saturated sci-fi sub genre. The ambition showed in the world building of this universe is commendable, director Luc Besson really goes for it here. The vast majority of this film is completely CGI- rendered, and for the most part, the CGI is well done. The opening sequence that kicks this film off is breathtaking, and while it shares similarities to James Cameron's Avatar, there is an uniqueness to it that really draws the audience in.

As soon as our two human protagonists come on screen—which mind you, is immediately after the impressive opening sequence—the film screeches to a halt, losing every speck of momentum garnered in the first twenty minutes.

Dane DeHaan and Cara Delevingne portray cardboard cutouts—oh, I mean special government agents tasked with some of the universe's most important tasks. I wish there was something good I could say about the performances from these two. But, nearly every time DeHaan opened his mouth to speak all, I could do was sigh. This is clearly a role meant for a charismatic actor, the likes of someone like Chris Pratt, Tom Cruise, or Will Smith. Instead, this film has DeHaan, who gives such an extremely wooden performance that it is borderline painful. The chemistry between DeHaan and Delevingne is nonexistent. The romantic relationship between these two characters maybe could have been believable with a different pair of actors. With these two brick walls though? Nah. The film screeches to a halt far too many times to give focus to unbearable romantic moments between the two—many of which hurt me physically. 

What really rose my blood pressure here was the script. Dare I say, I prefer the dialogue and narrative from the Transformers: The Last Knight over what is present in this film's monstrosity of a screenplay. This film thinks it is hilarious and charming, just like Transformers did. This film is immensely unfunny and repulsive, just like Transformers is. The attempts at quips and back-and-forth jokes are insufferable, getting less funny and more amateurish as the film goes on. DeHaan and Delevingne definitely deserve some of the blame for this, but the godawful writing doesn't provide them much room to be anything more than annoying. 

The plot manages to be more jumbled than anything I have seen all year. There are whole sections of this film that have nothing to do with the narrative set up in the opening act. This is a 2 hour and 20 minute film that has no business being anything over 90 minutes. A whole third of this film could be cut out, (specifically the detour that features singer/songwriter Rihanna) and nothing about the ending would change. I should have walked out of this movie somewhere near that 90 minute mark, but, like Transformers, I hoped the final act would be this film's saving grace. It wasn't.

If you spent money your hard-earned money on this film this weekend, I truly apologize. While this is not the cinematic cancer that the Transformers franchise continues to be—Valerian is a horrendously acted, incoherently written, waste of time. 


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