In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Dr. Will Caster (Johnny Depp) is the foremost researcher in the field of Artificial Intelligence, working to create a sentient machine that combines the collective intelligence of everything ever known with the full range of human emotions. His highly controversial experiments have made him famous, but they have also made him the prime target of anti-technology extremists who will do whatever it takes to stop him. However, in their attempt to destroy Will, they inadvertently become the catalyst for him to succeed-to be a participant in his own transcendence. For his wife Evelyn (Rebecca Hall) and best friend Max Waters (Paul Bettany), both fellow researchers, the question is not if they can...but if they should. Their worst fears are realized as Will's thirst for knowledge evolves into a seemingly omnipresent quest for power, to what end is unknown. The only thing that is becoming terrifyingly clear is there may be no way to stop him. Written by
When Max is in the bar drinking a shot and a beer and meets Bree for the first time, as he gets up to leave the glass with the whiskey has about an inch of whiskey in it. Max leaves and the camera cuts back to the bar and the whiskey glass is now empty. See more »
They say there's power in Boston. Some phone service in Denver. But things are far from what they were. Maybe it was all invevitable. An unavoidable collision between mankind and technology. The Internet was meant to make the world a smaller place. But it actually feels smaller without it. I knew Will and Evelyn Caster better than anyone. I knew their brillance. Their dedication to what they believed in. And to what they loved.
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Transcendence, much like most of the latest sci-fi themed films to hit cinemas, is a wasted effort. It exhibits signature Pfister cinematography that we've come to love over the past decade. With Nolan's Batman trilogy and Inception, it was only a matter of time for Wally Pfister to take a stab at directing. Unfortunately, the only thing that seems well done in this film is the cinematography. The story, while seeming fresh and exciting on paper, devolves into a half baked idea with mediocre acting. Johnny Depp does the best he can while only being a mere voice during the latter half of the film. The rest of the cast seems wasted, this is especially true because we know how great Paul Bettany, Morgan Freeman and Rebecca Hall can be. Wally Pfister focuses more on capturing really fantastic shots but seems never truly devoted to the actual story. This comes as a major disappointment especially because of the hype that this film has been generating over the last year. When it boils down to it, Transcendence is just another exercise in style over substance, never matriculating to anything more than an average sci-fi thriller that has a criminally underused cast and phenomenal camera-work.
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