From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon's chance meeting with a Canadian abolitionist will forever alter his life. Written by
It's rare that a movie lives up to its hype, even rarer that the hype is transcended by the actual achievement. 12 YEARS A SLAVE does both. Aided by powerful performances and cinematography, director McQueen exposes the barbarity of dehumanisation, of treating people as property. Reviews focus on the brutality on display, and it's true that the film is not easy to watch, with its powerful juxtaposition of sublime scenery and human degradation. But to me the final scene is the most powerful of all: we are party to the kind of raw emotion that in the hands of lesser artists could easily descend into tawdriness or sentimentality. Here, as in the rest of the film, it is raised up high, as high as cinematic art can go.
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