Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
The Blue John Cavern is one of the four show caves in Castleton, Derbyshire, England. The cavern takes its name from the semi-precious mineral Blue John, which is still mined in small amounts outside the tourist season and made locally into jewelry. The miners who work the remaining seams are also the guides for underground public tours. The eight working seams are known as Twelve Vein, Old Dining Room, Bull Beef, New Dining Room, Five Vein, Organ Room, New Cavern and Landscape. See more »
Chris says he favours the Abbey Oxford as a caravan, but his caravan is labelled as an Abbey Cachet. This has led some to consider this as a goof, however Cachet is just a trim level available on Abbey Oxford caravans, like L or GL or GT for cars. See more »
Mum? Mum. Mum. Mum. Mum. Mum. Mum. Mum. Mum. You all right?
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Ben Wheatley provides one of the year's darkest and funniest comedies in this tale of true love, caravans and dead bodies.
Ever since her terrier Poppy died in a bizarre knitting accident, Tina (Darkplace's Alice Lowe) has lived a sheltered life with her mother. New boyfriend Chris (Steve Oram) decides to show her his world and takes her on a self-proclaimed "erotic odyssey" in his caravan to such wonders as the Crich Tramway Museum, Ribblehead Viaduct and, of course, Keswick Pencil Museum. But with litterbug, National Trust snobs and feral youths running rampant, Tina and Chris inadvertently leave a trail of dead bodies in their wake, as their holiday continues to spiral out of control.
Steve Oram heads up the fantastic cast as the muted, yet brutal, Chris, complementing Alice Lowe's awkward, yet creepy, Tina perfectly. However, the real star is the special effects, which provide some of the most realistic and memorable on screen deaths of the year. The unsettling, albeit hilarious, performances of the two leads is mirrored in the soundtrack, a mix of cheery '80s pop songs and a haunting minimalist score.
Shot in the beautiful Lake District, director Ben Wheatley uses lingering shots and slow-mo in an innovative way, making his comedy edgy whilst poignant. No doubt, this is a very British black comedy. Wheatley shows directorial flair, but reigns it in from his previous work Kill List, leading to a much tighter film, with a concentration on the biting wit of the script.
Sightseers, overall, plays out like a cross between Bonnie & Clyde and In Bruges, leading to a perfect pitch-black comedy that's not for the faint hearted.
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