In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
True-crime writer Ellison Oswalt moves himself and his family into a house where a horrific crime took place earlier, but his family doesn't know. He begins researching the crime so that he can write a new book about it to help his flailing career. He uses some "snuff" film footage he finds in the house to help him in his research, but he soon finds more than he bargained for. There is a figure in each of the films but who or what is it? As a result, his family start to suffer (as does he) and things take a turn for the worse. Will they survive? Written by
Michael Hallows Eve
The super 8 snuff reels in Sinister aren't unlike many of the snuff reels that came up in the latter half of the 20th century. The super 8 film format, when it was introduced in 1965, allowed amateur filmmaking to be much cheaper and easier for the average person, but unfortunately this also meant that a great amount of snuff reels, most of them fake, started surfacing as urban legends and in banned movies such as the Faces of Death series. Most real snuff films that featured actual murders were never revealed to the public and have been confiscated by police as evidence. The JFK Assassination was caught on a super 8 camera by an amateur filmmaker as an unintentional murder film and revealed to the public; since then it has been subject to several documentaries and conspiracy theories. Sinister's snuff reels were made to look like 20th century murder films on purpose to fit the story, which questions who the people or person behind all the snuff reels out there is. See more »
Ellison writes two sticky notes & pastes them to a photography of his attic. One of the notes says, "Box of films, how did it get there" (in his handwriting), and the other is a picture he drew of a box. When he looks at the photo and 2 sticky notes later on, the handwriting on note #1 is different, and the hand-drawn box on note #2 is also different. See more »
In this day and age, horror is getting more and more creative by demand since the psycho killer in the woods-scenario has pretty much run its course. A consequence of that is the incorporation of contemporary technology and concepts appearing in the genre; "found footage" films have replaced Jason and Michael, and while these films do have potential (this year's indie "V/H/S" had some neat ideas), even they are beginning to lose steam. Enter "Sinister", which is an amalgam of timeless supernatural horror themes and "found footage" technique that has proved to be a consistent box office draw.
"Sinister" follows a true crime author, Ellison (Ethan Hawke) who moves his family (unbeknownst to them) into a house where an entire family was hung to death in a tree in their backyard, save the youngest daughter who vanished without a trace. Upon moving in, Ellison finds a box of 8mm footage and a projector in the attic; contained in these reels of film are various murders dating from the 1960s up to present day one of them is the filming of the hanging murder that occurred in his backyard. As he furthers investigation into the footage, he finds more than he bargained for when connections are made to an ancient deity who takes the souls of children.
On a surface level, "Sinister" appears like every other horror piece on the market, but I was surprised by the substance the film had. Conceptually and thematically speaking, it's not painfully original, but director Scott Derrickson makes up for that with striking visuals and a daunting soundtrack. The opening of the film is particularly disturbing the movie begins with the family hanging murder, which sets a damned unsettling tone for the rest of the film.
In terms of the supernatural elements at play in the script, they almost seem fairytale-ish (a Pagan deity who feeds on children c'mon), but it does add a unique element to the film. I have to say though that the most frightening thing in this movie are the actual murder tapes themselves. It could be just me, but the notion of filmed murders unsettles me to the core, even if I know that the footage is faked; as if the act of murder itself isn't awful enough, documenting it is downright... well, sinister. The footage utilized in the film is unsettling, shocking, and above all, it's realistic, so the audience gets the same unpleasant feelings shared by Ethan Hawke's character. Truly macabre stuff.
Another major positive for this film is that the acting is far above par for what most genre fans are dealt. Ethan Hawke is a quality actor and newcomer Juliet Rylance proves her chops here; their scenes together are particularly strong, and much more than any horror fan could dream of asking for. The film's ending can be seen from a certain distance, although it doesn't necessarily make it less shocking in this case. If anything, it adds to the sense of dread pervading the film.
Overall, "Sinister" was a pleasant surprise for me. It doesn't offer heaps in terms of originality, but it's a stylistically stunning film and takes steps in the right in direction very gracefully. When it comes down to it, I can't say that I was even really "scared" by the film so much as I was unsettled by it. It has its share of orthodox jump scares, but I was more bothered and rattled by the grim nature of the film as a whole, which is a nice feeling to walk away from the theater with as a thick-skinned genre fan who has become increasingly harder to unnerve. 7/10.
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