About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
Director Nesli Colgecen has a special place in Turkish cinema history. Especially the wonderful social satires "Zugurt Aga" (The Broken Landlord 1985) and "Selamsiz Bandosu" (The Selamsiz ... See full summary »
The prison of Diyarbakir, the setting of the story, is like the symbol of the torture experienced in the prisons in Turkey after the coup d'etat of 1980. However, in this story, I did not ... See full summary »
Süsen lives in a troubled family, after they move to Izmir, her father left the home and she effected by all. She sail to a new life with her childhood love, Yusuf. But the marriage will not be an exit for her.
Perhaps one has got to have that kind of special relationship to this unique city to really be touched by this film, yet i would really like to ask everyone to watch it and let himself be drifted away by the aura it sprays from the screen. Istanbul of the Turks, the historical Konstantinopolis of the Greeks, the beloved Polis (again a Greek word) of the Armenians, is a city deep in the heart of not only the above mentioned folks, but also a city that almost all the peoples of the Balcans are very much attached to. For the Greeks it's the cradle of their national rebirth, for the Turks the cradle of their own ethic civilization, for the Armenians the place where they lived in hundreds of thousands and the city where their ethnic cleansing was ordered from, for the Jews the city which gave them shelter in the dark medieval times and hosted a great prosperous community of theirs, for other ethic groups -Slavs, Arabs, Kurds- the just till one century plus few years ago, capital city of the country they lived in -The Ottoman empire-... All these nations have a lot to remember about their good life there and the cruel way this life had to be ended after the collapse of the Ottomans, just a century ago. The -historic and sentimental - background of the stories it tells give an extra power to this film. The memories it brings, even though it doesn't in all cases directly refer to the above mentioned historic and sentimental background, are inevitably for the viewer very much part of it. Especially for the viewer who knows, the viewer who consciously or subconsciously takes part either to Istanbul/Konstantinopolis/Polis's history or just to the "history" of other parts of the area. The Greek and Armenian pogrom, the events in Palestine, the war in the former Yougoslavia. Yet, if one just let himself free to feel the stories of the film itself, he may easily join this city's powerful spirit, even if he does not belong to persons which are personally or ethnically attached to Istanbul's past. And can really be touched and moved. All the stories are very well-done, all the film is. Yet, if i have to point one as the most sentimentally powerful one, that would be the story of the woman, who "sees" in a young Turk's face, her lost in the Yugoslavian war son. This is really heartbreaking and made me bitterly cry. If you have read all this, you do know why you must see this really elegiac, excellent, tender, and yet amazingly realistic - as much as documentaries are- film!
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