A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines. Written by
In the scene where the four officers are leaving Romina's house after finding the money, Maneater by Hall and Oates is playing in the car. A reference to a conversation between Luke and Ben earlier in the movie in which Luke says "Not since Hall and Oates has there been a better team!". See more »
On the last car chase, the chasing officer (Avery) describes Luke's direction as heading west on Stanford. Luke then makes a left turn which would mean he would be heading south, but Avery says he is now heading north on Plymouth. See more »
[Passes Jason a newspaper clipping and points to a photo]
That guy's your Dad. That's him there.
[Robin points to another photo]
And that's the pig there, the one that pegged him.
What happened to him?
Who, the cop? Forget about him man. Don't start there, I'll show you good things. I'll show you good things...
See more »
An extraordinary movie that pulls the rug from under you
You might call Derek Cianfrance's tremendous new movie "A Place Beyond the Pines" a blue-collar epic or a tragedy in three acts; it's certainly a drama in three acts. It runs for two hours and twenty minutes and it covers a period of about 17 years and there are really only about four major characters. To talk at all about the films storyline would be to spoil what is really an extraordinary narrative where even the coincidences of the third act seem to me to have resonance of great drama and it is magnificently played by its four principal actors.
Ryan Gosling, continuing to cement his reputation as the finest young actor of his generation, is Luke, an outlaw anti-hero worthy to stand beside any played by Dean or Newman. Bradley Cooper, so much more now that the light comedian of The Hangover movies, is Avery, the idealistic young rookie cop who finds the consequences of a single act of violence leads him down paths he previously may only have dreamed of and relative newcomers Dane DeHaan and Emory Cohen are sons in desperate need of a father's love and guidance.
This is bold and innovative film-making from Cianfrance with a strong emphasis on plot development. It plays out like a great page-turner of a novel but is in fact an original screenplay. After "Blue Valentine" this marks Cianfrance out as a major big league player.
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