Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <firstname.lastname@example.org>
Originally conceived as a project about the battle of Tora Bora, Mark Boal completely re-wrote the script after Osama bin Laden was shot and killed. It took him five months and he was not paid for the re-write. See more »
Maya said there had to be another man in the compound because there were three women (women would only live with their father or husband so there had to be a father or husband there for the third woman). But that doesn't acknowledge the fact that one of the men could have had two wives. See more »
I've seen all the reasons viewers (and some critics) dislike this film, but in my opinion it is infinitely superior to ARGO in its authenticity and dramatic quality. The final scenes, when the SEAL team, goes into Ben Laden's house, are brilliantly rendered. The idea of doing it mostly in the dark with flashes of illumination by "night vision" green is a brilliant touch, which most directors would never have attempted.
The performances by Jessica Chastain, of course, Jason Clark and Jennifer Ehle are top drawer and the torture scenes, while brutal, are necessary--because that's the way it happened. Congratulations to Kathryn Bigelow and Mark Boal for getting it right.
I don't want to put the knock on Argo, because I found it entertaining. But it's artificiality provides a distinct contrast with Zero Dark Thirity's authenticity, and authenticity wins.
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