In April 1980, armed gunmen stormed the Iranian Embassy in Princes Gate, London and took all inside hostage. Over the next six days a tense standoff took place, all the while a group of ... See full summary »
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
The screenplay for this film was featured in the 2008 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
At a certain point, the main character is seen taking the magazine out of her handgun. This is done shortly after shooting the same gun, which means one bullet is still chambered. however, when she pulls the trigger the gun doesn't fire, suggesting there's no bullet in the chamber. See more »
An engaging spy film that tries to be politically correct
"Unlocked" offers a Byzantine plot filled with unexpected twists, a talented cast and decent production values. Many of the plot devices are familiar tropes, but some seem fresh, including a sequence involving a motorcycle and an early reversal of fortune. The story is engaging, but never quite edge-of-your-seat enthralling. At the end, it seems a worthwhile experience, but devoid of anything really fresh.
Spy films don't mix well with politically liberal ideals. The typical spy film entails extrajudicial executions, capital punishment, enhanced interrogation, kidnappings, violation of treaties, immigrants engaged in spy cells, profiling and all manner of activities that outrage liberals. This film seems to attempt to defer or pander to liberal sensitivities, while pursuing a plot that requires a right-wing mindset. The results often seem a bit awkward. Muslim immigrants have an elaborate network of sleeper cells, but some of the Muslims are good people who object to their religion of peace being subverted by extremists. Most immigrants are hard-working, but need help acclimating to local customs. Women are just as capable, or more so, as intelligence officers. They are dedicated, less likely to betray their country and capable of going head-to-head in unarmed combat against two opponents who each outweigh them by half. The real villains aren't the peace- loving Muslms, but the hard line extremists in our own governments who manipulate our enemies for political gain. At several points in the film, it feels as if the filmmakers are pausing the action to present homework assignments from a community college course in civics.
The script is not entirely satisfying dramatically. In addition to distracting political subtext, too many characters know too much about future events. The protagonist doesn't seem to need to work very hard to uncover things. There are a lot of coincidences. The protagonist more often seems to be knocked about by events, rather than driving them. There are too many remorseless murderers willing to employ weapons of mass destruction for a price. At least three significant characters may have died, but we're not entirely certain.
Overall, it's an engaging movie that might have been better if it invested less effort in trying to be politically correct.
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