5.1/10
29,444
151 user 210 critic

Alex Cross (2012)

PG-13 | | Action, Crime, Mystery | 19 October 2012 (USA)
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ON DISC
A homicide detective is pushed to the brink of his moral and physical limits as he tangles with a ferociously skilled hired killer who specializes in torture and pain.

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(screenplay), (screenplay) | 1 more credit »
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3,711 ( 1,512)
4 nominations. See more awards »

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Fan Yau Lee (as Stephanie Jacobsen)
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Storyline

Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all. Written by Immanuel Ambhara

Plot Summary | Add Synopsis

Taglines:

Don't Ever Cross Alex Cross


Motion Picture Rating (MPAA)

Rated PG-13 for violence including disturbing images, sexual content, language, drug references, and nudity | See all certifications »

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Details

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Release Date:

19 October 2012 (USA)  »

Also Known As:

Cross  »

Filming Locations:

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$11,396,768 (USA) (19 October 2012)

Gross:

$25,863,915 (USA) (28 December 2012)
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2.35 : 1
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Did You Know?

Trivia

Barbara Cashulin: Director Rob Cohen's wife is the restaurant hostess who shows Maria to her table. See more »

Goofs

When Picasso is sneaking into Erich Nunemacher's building, the screws are shown turning clockwise to loosen. Screws (with some very rare exceptions) don't work that way. Screws turn counter-clockwise to loosen. See more »

Quotes

Picasso: Confucius said, "When setting off on a path of revenge, dig two graves."
Alex Cross: That's fine with me as long as you're in one of them.
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Connections

Referenced in The Projectionist Project: Alex Cross (2012) See more »

Soundtracks

All Our Secrets Are the Same
Written by Rob Cohen (as Rob Cashulin), Randy Edelman, and Jackie DeShannon
Performed by Jackie DeShannon
On Camera Piano Solo by Yara Shahidi
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Frequently Asked Questions

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User Reviews

 
Convincing performances by Perry and Fox prevent Alex Cross from being completely unwatchable.
8 May 2015 | by (United States) – See all my reviews

It's not hard to figure out what's wrong with this movie. Skeptics may think Tyler Perry was a bad choice to fill in a young Morgan Freeman's shoes but he was absolutely fine in the role. Plus, Matthew Fox as a psychopathic skinhead assassin? Hell yes. Edward Burns as Perry's detective partner? Eh, less convincing but I'll let it slide. The direction and the writing though... whew. It's amazing the actors were able to recite this dialogue with a straight face.

The story of Alex Cross is a simple murder mystery - Alex Cross and his partner investigate the scene of a crime and discover that they're after a professional killer referred to as Picasso. Then things get personal and Cross plans to seek his revenge once and for all. Standard crime thriller plot, right? The problem is when the characters start talking to each other. Honestly, it's laughable how bad some of this dialogue is, especially between Cross and his family. They throw in these "emotional" scenes to break up the action but all they do is make for a really awkward paced movie. It would be passable if the dialogue actually moved the plot forward but it doesn't, at all. There are some subplots that are introduced and never brought up again. Like Alex Cross becoming an FBI agent. What was the point of even including that?

The main reason to watch this movie is for Matthew Fox. He's playing a sadist who is "fascinated by pain." Not very original but who cares, it's Matthew Fox playing a 130 pound untamable psychopath. The scenes in which we see him doing his job - stalking his targets, infiltrating their houses, taking out their body guards and whatnot - are the most interesting parts of the movie. He's really the only character given a clear cut motive and enough development to make him a decent antagonist. He's also batsh*t crazy, did I mention that? Yeah, he's a lot of fun to watch.

Unfortunately Perry isn't given nearly as much to work with. He's a generic detective masquerading under the name Alex Cross who acts as a poor man's Sherlock Holmes. His whole objective is to get into the mind of this madman while trying to maintain a steady family life, but instead of building tension between these two factors and having them play off one another and ultimately effecting Cross' personal life, the writer/director think it's more effective to jump from one setting to another with no lead-ins or relevance to what just happened or what is about to happen. The family scenes are cringeworthy, and even the dialogue with his partner gets really cheesy. I wanted to see more psychological warfare between Cross and Picasso. They try to do that in a couple scenes but it's so poorly written that you don't believe a word of it.

Tyler Perry's acting shines in a few scenes. He's certainly a capable dramatic actor and anyone who says otherwise is talking out of their ass. Thankfully I haven't seen the Madea movies so I had no prior opinion of Perry but he won me over with this. Mind you, some of his lines sound forced and awkward but that's completely on the scriptwriters. It's just impossible to be drawn to the character, and you'd think with a title like Alex Cross that we'd get a deep look into the mind of the title character, but instead they spoon-feed us this cheesy soapy dialogue and the occasional battle-of-wits with the villain that isn't the least bit intriguing. Also, the climax of this movie, if you can even call it that, is laughable. The fight scene is probably the worst camera work I have seen in an action movie. You can hardly see what's going on half the time, and once it ends you're just like, okay. Is that it?

Again, the leads save this movie from being a total bomb. I was admittedly entertained for a good portion of the movie despite its stupid dialogue. None of it is inventive or new; it's just your run-of-the-mill murder mystery that is low on thrills and high on cheese. Worth a one time watch if it's on TV or something, but really the main thing you'll remember from Alex Cross is the criminally wasted talent.


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