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Midnight in Paris (2011)

PG-13 | | Comedy, Fantasy, Romance | 10 June 2011 (USA)
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While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s everyday at midnight.

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Won 1 Oscar. Another 24 wins & 96 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gil
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Maurice Sonnenberg ...
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1920's Partygoer
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1920's Partygoer
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1920's Partygoer
Marie-Sohna Condé ...
1920's Partygoer (as Marie-Sohne Condé)
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Storyline

Gil and Inez travel to Paris as a tag-along vacation on her parents' business trip. Gil is a successful Hollywood writer but is struggling on his first novel. He falls in love with the city and thinks they should move there after they get married, but Inez does not share his romantic notions of the city or the idea that the 1920s was the golden age. When Inez goes off dancing with her friends, Gil takes a walk at midnight and discovers what could be the ultimate source of inspiration for writing. Gil's daily walks at midnight in Paris could take him closer to the heart of the city but further from the woman he's about to marry. Written by napierslogs

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual references and smoking | See all certifications »

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Details

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Release Date:

10 June 2011 (USA)  »

Also Known As:

Midnight in Paris  »

Box Office

Budget:

$17,000,000 (estimated)

Opening Weekend:

$599,003 (USA) (20 May 2011)

Gross:

$56,816,662 (USA) (16 March 2012)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When casting for the movie, Woody Allen knew that he needed a French actress for Adriana so his first choice was Marion Cotillard. When Allen asked Cotillard to be a part of his movie, she was at home and talked with him for over an hour. When the conversation ended, Cotillard said: "Oh, my God, I've been talking to Woody Allen - that was Woody Allen's voice!" See more »

Goofs

The hotel physician called to attend John was going to listen to his heart, and he was using a Littmann stethoscope. He inserted it so that the slant of the earpieces was backwards. A person's ear canals slant toward the front and the earpieces were angled toward the rear. See more »

Quotes

[first lines]
Gil: This is unbelievable! Look at this! There's no city like this in the world. There never was.
Inez: You act like you've never been here before.
Gil: I don't get here often enough, that's the problem. Can you picture how drop dead gorgeous this city is in the rain? Imagine this town in the '20s. Paris in the '20s, in the rain. The artists and writers!
Inez: Why does every city have to be in the rain? What's wonderful about getting wet?
See more »

Connections

Featured in Maltin on Movies: The Dark Knight Rises (2012) See more »

Soundtracks

Recado
Written & Composed by Djalma Ferreira & Luiz Antônio (as Luiz Antonio)
© Fermata Do Brasil (Drink Editora Musical)
Used by permission of Rytvoc, Inc.
Performed by Original Paris Swing
Courtesy of Ramón Galán, F. Lochon, L. Fradelizi & V. Frade
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Frequently Asked Questions

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User Reviews

 
Midnight in Paris
12 May 2011 | by (United States) – See all my reviews

Woody Allen's love affair with France, which goes back decades, finds its finality with "Midnight in Paris," the latest of Allen's Parisian brochures, which recently opened at the Cannes Film Festival on Wednesday. The good news is that Allen seems to be paying attention in a way he hasn't always done in recent films, and has found a way to channel his often-caustic misanthropy, half-comic fear of death and anti-American bitterness into agreeable comic whimsy. The nominal point of "Midnight in Paris" is that we've all got to make the best of life in our own time while longing for a past that probably never existed. If anything, Allen seems to be rebuking himself, ever so mildly, for his compulsive romanticism, his obsession with the past and his disconnection from contemporary American life. Allen has baked us a sweet, airy Parisian dessert with just a sense of sentimental substance in the finish. One of his better films in his latter years.


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